Martin Charnin
American lyricist, writer, and theatre director
Adrian Mitchell FRSLwas an English poet, novelist and playwright. A former journalist, he became a noted figure on the British left.
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Adrian Mitchell FRSLwas an English poet, novelist and playwright. A former journalist, he became a noted figure on the British left. For almost half a century he was the foremost poet of the country’s Campaign for Nuclear Disarmament movement. The critic Kenneth Tynan called him “the British Mayakovsky”.
In a National Poetry Day poll in 2005, Mitchell’s poem “Human Beings” was voted the one most people would like to see launched into space. In 2002, he was nominated, semi-seriously, as Britain’s “Shadow Poet Laureate”. Mitchell was for some years poetry editor of the New Statesman, and was the first to publish an interview with the Beatles. His work for the Royal Shakespeare Company included Peter Brook’s US and the English version of Peter Weiss’s Marat/Sade.
Ever inspired by the example of his own favourite poet and precursor William Blake, about whom he wrote the acclaimed Tyger for the National Theatre, Mitchell’s often angry output swirled from anarchistic anti-war satire, through love poetry to, increasingly, stories and poems for children. He also wrote librettos. The Poetry Archive identified his creative yield as hugely prolific.
Mitchell sought in his work to counteract the implications of his own assertion, that “Most people ignore most poetry because most poetry ignores most people.” The Times said that Mitchell’s had been a “forthright voice often laced with tenderness”. His poems on such topics as nuclear war, Vietnam, prisons and racism had become “part of the folklore of the Left. His work was often read and sung at demonstrations and rallies”.
Written poetry is different. Best thing is to see it in performance first, then read it. Performance is more provocative.
British writer
There have always been poets who performed. Blake sang his Songs of Innocence and Experience to parties of friends.
British writer
I want to speak, to sing to total strangers. It’s my way of talking to the world.
British writer
I use the language I use to my friends. They wouldn’t believe me if I used some high-flown literary language. I want them to believe me.
British writer
Stadium rock and commercial rock are the opposite of what poetry needs. An audience of around 200 is ideal for poetry.
British writer
I don’t like writing essays or theory.
British writer
I use rock and jazz and blues rhythms because I love that music. I hope my poetry has a relationship with good-time rock’n roll.
British writer
Most people ignore most poetry because most poetry ignores most people.
British writer