Annie Besant
British socialist, theosophist, women's rights activist, writer and orator (1847-1933)
Anthony Minghella was a renowned British filmmaker known for directing acclaimed movies like The English Patient, The Talented Mr. Ripley, and Cold Mountain. He won the Academy Award for Best Director and received multiple other nominations for his exceptional work in the film industry.
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Anthony Minghella, was a British film director, playwright, and screenwriter. He was chairman of the board of Governors at the British Film Institute between 2003 and 2007. He directed Truly, Madly, Deeply (1990), The English Patient (1996), The Talented Mr. Ripley (1999), and Cold Mountain (2003), and produced Iris (2001).
He received the Academy Award for Best Director for The English Patient. In addition, he received three more Academy Award nominations; he was nominated for Best Adapted Screenplay for both The English Patient and The Talented Mr. Ripley, and was posthumously nominated for Best Picture for The Reader (2008), as a producer.
Anthony Minghella was a British film director, playwright, and screenwriter who was known for his acclaimed work in the film industry. He directed several popular movies, including Truly, Madly, Deeply, The English Patient, The Talented Mr. Ripley, and Cold Mountain.
Anthony Minghella received the Academy Award for Best Director for his work on The English Patient. He was also nominated for Best Adapted Screenplay for both The English Patient and The Talented Mr. Ripley, and was posthumously nominated for Best Picture for The Reader as a producer.
Anthony Minghella was born on January 6, 1954, and passed away on March 18, 2008.
In addition to his work as a filmmaker, Anthony Minghella also served as the chairman of the board of Governors at the British Film Institute between 2003 and 2007.
Some of Anthony Minghella’s most famous films include Truly, Madly, Deeply, The English Patient, The Talented Mr. Ripley, and Cold Mountain, all of which received critical acclaim and awards recognition.
When I became the chair of the British Film Institute, I didn’t understand how much of my time would be taken up with trying to make a case for the British Film Institute: what it’s for, why it exists, why it needs its money.
British film director, playwright and screenwriter (1954-2008)
I have always believed that there is a need for life-affirming films.
British film director, playwright and screenwriter (1954-2008)
The only lesson to extract from any civil war is that it’s pointless and futile and ugly, and that there is nothing glamorous or heroic about it. There are heroes, but the causes are never heroic.
British film director, playwright and screenwriter (1954-2008)
The feeling of not belonging, of not being entirely worthy, of being sometimes hostage to your own sensibilities. Those things speak to me very personally.
British film director, playwright and screenwriter (1954-2008)
You know you lose a lot of social skills if you’re a writer. You spend too long alone. And its forced me to address that.
British film director, playwright and screenwriter (1954-2008)