Bille August

Danish film director

Bille August RDis a Danish director, screenwriter, and cinematographer of film and television.
August’s 1987 film Pelle the Conqueror won the Palme d’Or, Academy Award and Golden Globe Award.

About the Bille August

Bille August RDis a Danish director, screenwriter, and cinematographer of film and television.

August’s 1987 film Pelle the Conqueror won the Palme d’Or, Academy Award and Golden Globe Award. He is one of only ten directors to win the Palme d’Or twice, winning the award again in 1992 for The Best Intentions, based on the autobiographical script by Ingmar Bergman.

His filmography includes The House of the Spirits, based on the novel by Isabel Allende; Smilla’s Sense of Snow; Les Miserables; Night Train to Lisbon, Silent Heart, The Chinese Widow and A Fortunate Man. He has received five Robert Awardsand three Bodil Awards for Best Danish Film. He is also a Knight of the Order of the Dannebrog.

11 Quotes by Bille August

  1. 1.

    We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter.

    Bille August

    Danish film director

  2. 2.

    It was a major dream come true at last. In many respects, Jerusalem is a very modern and important story about people in a period of transition, with all the unrest that permeates society on the eve of a new century. The big life issues are at stake.

    Bille August

    Danish film director

  3. 3.

    He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn’t really like the shorter film.

    Bille August

    Danish film director

  4. 4.

    She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film.

    Bille August

    Danish film director

  5. 5.

    The novel is a penetrating study of morals and ethics.

    Bille August

    Danish film director

  6. 6.

    The big difference is the size of the crew and the flexibility of shooting because of the size. I mean, it’s crazy. So you can’t improvise, you cannot suddenly do something that comes to mind, whereas in a small production you have much more flexibility.

    Bille August

    Danish film director

  7. 7.

    I wanted to make Jerusalem as feature film. But we couldn’t finance it only through theatrical release, we couldn’t get all the money we needed. We had to get some money from television. So we said, ok, let’s do it both ways. So we did it in four parts.

    Bille August

    Danish film director

  8. 8.

    I was mostly interested in it as a theatrical film. Personally, I am not so interested in television, simply because I don’t watch television myself. I’m into movies.

    Bille August

    Danish film director

  9. 9.

    I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time.

    Bille August

    Danish film director

  10. 10.

    From the beginning, we were prepared, we know how we would shoot and cut the two versions.

    Bille August

    Danish film director

  11. 11.

    It was actually Peter’s idea that I should make the film. He called me in the very beginning, and I hadn’t even read the book. So I read it and I liked it very much and I knew I’d certainly like to do it.

    Bille August

    Danish film director