Morris Graves
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Boris Vianwas a French polymath who is primarily remembered for his novels. Those published under the pseudonym Vernon Sullivan were bizarre parodies of criminal fiction, highly controversial at the time of their release owing to their unconventional outlook.
Vian’s other fiction, published under his real name, featured a highly individual writing style with numerous made-up words, subtle wordplay and surrealistic plots. His novel Froth on the Daydreamis the best known of these works and one of the few translated into English.
Vian was an important influence on the French jazz scene. He served as liaison for Hoagy Carmichael, Duke Ellington and Miles Davis in Paris, wrote for several French jazz-reviewsand published numerous articles dealing with jazz both in the United States and in France. His own music and songs enjoyed popularity during his lifetime, particularly the anti-war song “Le Deserteur” (The Deserter).
There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly.
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I played the trumpet a bit like a porker, I think.
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The problem is the following, black music is increasing encumbered by white elements, often pleasant but always superfluous, easily and advantageously replaced with black elements.
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One ends up relying on pure musical inspiration, and failing that, the music won’t lead to anything good, or it will alienate all but the most die-hard fans.
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The three great moments of my life had to be the concerts of Ellington in 1938, Dizzy in ’48, and Ella in ’52.
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Of course, it’s fun to play with Blacks.
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