Peter Kropotkin
Russian revolutionary socialist and philosopher (1842-1921)
Federico Fellini was an iconic Italian film director known for his distinctive style blending fantasy, baroque imagery, and earthiness. He is considered one of the greatest filmmakers of all time, with acclaimed works like 8 1/2, La Dolce Vita, and Amarcord that have ranked highly in critical polls.
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Federico Fellini was an Italian film director and screenwriter. He is known for his distinctive style, which blends fantasy and baroque images with earthiness. He is recognized as one of the greatest and most influential filmmakers of all time. His films have ranked highly in critical polls such as that of Cahiers du Cinema and Sight & Sound, which lists his 1963 film 8+1/2 as the 10th-greatest film.
Fellini’s best-known films include I vitelloni (1953), La Strada (1954), Nights of Cabiria (1957), La Dolce Vita (1960), 8 1/2 (1963), Juliet of the Spirits (1965), Fellini Satyricon (1969), Roma (1972), Amarcord (1973), and Fellini’s Casanova (1976).
Fellini was nominated for 17 Academy Awards over the course of his career, winning a total of four in the category of Best Foreign Language Film (the most for any director in the history of the award). He received an honorary award for Lifetime Achievement at the 65th Academy Awards in Los Angeles. Fellini also won the Palme d’Or for La Dolce Vita in 1960, two times the Moscow International Film Festival in 1963 and 1987, and the Career Golden Lion at the 42nd Venice International Film Festival in 1985. In Sight & Sound’s 2002 list of the greatest directors of all time, Fellini was ranked 2nd in the directors’ poll and 7th in the critics’ poll.
Federico Fellini was an Italian film director and screenwriter who is recognized as one of the greatest and most influential filmmakers of all time.
Federico Fellini’s distinctive style blended fantasy and baroque images with earthiness, creating a unique visual language in his films.
Some of Federico Fellini’s best-known films include I vitelloni, La Strada, Nights of Cabiria, La Dolce Vita, 8½, Juliet of the Spirits, Fellini Satyricon, Roma, Amarcord, and Fellini’s Casanova.
Federico Fellini was nominated for 17 Academy Awards over the course of his career, winning a total of four in the category of Best Foreign Language Film.
In addition to his Academy Awards, Federico Fellini won the Palme d’Or for La Dolce Vita in 1960, two times the Moscow International Film Festival, and the Career Golden Lion at the 42nd Venice International Film Festival.
In Sight & Sound’s 2002 list of the greatest directors of all time, Federico Fellini was ranked 2nd in the directors’ poll and 7th in the critics’ poll.
Federico Fellini received an honorary award for Lifetime Achievement at the 65th Academy Awards in recognition of his influential and acclaimed filmmaking career.
Even if I set out to make a film about a fillet of sole, it would be about me.
Italian filmmaker (1920-1993)
Fate is written in the face.
Italian filmmaker (1920-1993)
Censorship is advertising paid by the government.
Italian filmmaker (1920-1993)
All art is autobiographical. The pearl is the oyster’s autobiography.
Italian filmmaker (1920-1993)
A created thing is never invented and it is never true: it is always and ever itself.
Italian filmmaker (1920-1993)
God may not play dice but he enjoys a good round of Trivial Pursuit every now and again.
Italian filmmaker (1920-1993)
Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure. Besides, you can’t teach old fleas new dogs.
Italian filmmaker (1920-1993)
Hype is the awkward and desperate attempt to convince journalists that what you’ve made is worth the misery of having to review it.
Italian filmmaker (1920-1993)
It is only when I am doing my work that I feel truly alive.
Italian filmmaker (1920-1993)
No critic writing about a film could say more than the film itself, although they do their best to make us think the oppposite.
Italian filmmaker (1920-1993)
Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
Italian filmmaker (1920-1993)
I think television has betrayed the meaning of democratic speech, adding visual chaos to the confusion of voices. What role does silence have in all this noise?
Italian filmmaker (1920-1993)
Nietzsche claimed that his genius was in his nostrils and I think that is a very excellent place for it to be.
Italian filmmaker (1920-1993)
You exist only in what you do.
Italian filmmaker (1920-1993)
A different language is a different vision of life.
Italian filmmaker (1920-1993)
A good opening and a good ending make for a good film provide they come close together.
Italian filmmaker (1920-1993)
Experience is what you get while looking for something else.
Italian filmmaker (1920-1993)
The artist is the medium between his fantasies and the rest of the world.
Italian filmmaker (1920-1993)
There is no end. There is no beginning. There is only the passion of life.
Italian filmmaker (1920-1993)
It’s easier to be faithful to a restaurant than it is to a woman.
Italian filmmaker (1920-1993)
Money is everywhere but so is poetry. What we lack are the poets.
Italian filmmaker (1920-1993)