Georg Baselitz
German artist
Grandma Moses, whose real name was Anna Mary Robertson Moses, was an American folk artist who didn’t start painting until the age of 78. Despite her advanced age, she gained immense popularity in the 1950s, appearing on the cover of Time Magazine and having a biographical documentary made about her. Her simple, nostalgic paintings of rural life captivated many and she was awarded two honorary doctoral degrees for her work.
Table of Contents
Fred E. Robertson
Joseph Devereux Robertson
Winona Grace Robertson
Celeste Robertson Foster
Thomas Salmon Moses
Forrest K. Moses
Winona Fisher
Hugh Worthington Moses
Anna Mary Moses
Loyd Robert Moses
Anna Mary Robertson Moses (September 7, 1860 – December 13, 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953, was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life’s History, was published in 1952. She was also awarded two honorary doctoral degrees.
Moses was a live-in housekeeper for a total of 15 years, starting at age 12. An employer noticed her appreciation for their prints made by Currier and Ives, and they supplied her with drawing materials. Moses and her husband began their married life in Virginia, where they worked on farms. In 1905, they returned to the Northeastern United States and settled in Eagle Bridge, New York. They had ten children, five of whom survived infancy. She embroidered pictures with yarn, until disabled by arthritis.
In her 1961 obituary, The New York Times said: “The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter’s first snow, Thanksgiving preparations and the new, young green of oncoming spring … In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild.”
Moses’s work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie’s New York for US$1.2 million, setting an auction record for the artist.
Grandma Moses, whose real name was Anna Mary Robertson Moses, was born on September 7, 1860.
Grandma Moses was an American folk artist who began painting in earnest at the age of 78, becoming a prominent example of a successful art career starting at an advanced age.
Grandma Moses gained popularity during the 1950s, being featured on the cover of Time Magazine in 1953, and being the subject of numerous television programs as well as a 1950 Oscar-nominated biographical documentary.
Before becoming a famous artist, Grandma Moses was a live-in housekeeper for a total of 15 years, starting at the age of 12.
One of Grandma Moses’ employers noticed her appreciation for prints made by Currier and Ives, and they supplied her with drawing materials, which kickstarted her artistic career.
Grandma Moses’ paintings were known for their simple realism, nostalgic atmosphere, and luminous color, which captured the excitement of winter’s first snow, Thanksgiving preparations, and the new, young green of oncoming spring.
Grandma Moses and her husband began their married life in Virginia, where they worked on farms, and in 1905 they returned to the Northeastern United States and settled in Eagle Bridge, New York. They had ten children, five of whom survived infancy.
If I hadn’t started painting, I would have raised chickens.
American artist (1860-1961)
Painting’s not important. The important thing is keeping busy.
American artist (1860-1961)
I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.
American artist (1860-1961)
A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.
American artist (1860-1961)
If you know somethin’ well, you can always paint it but people would be better off buyin’ chickens.
American artist (1860-1961)
I look back on my life like a good day’s work, it was done and I am satisfied with it.
American artist (1860-1961)
Life is what we make it, always has been, always will be.
American artist (1860-1961)
I paint from the top down. From the sky, then the mountains, then the hills, then the houses, then the cattle, and then the people.
American artist (1860-1961)
A primitive artist is an amateur whose work sells.
American artist (1860-1961)