Lou Costello
American actor and comedian (1906-1959)
Gregory Hines was an acclaimed American dancer, actor, choreographer, and singer, known as one of the greatest tap dancers of all time. He starred in over 40 films, received numerous awards and nominations, and voiced the character of Big Bill on the children’s TV show Little Bill.
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Gregory Oliver Hineswas an American dancer, actor, choreographer, and singer. He is one of the most celebrated tap dancers of all time. As an actor, he is best known for Wolfen (1981), The Cotton Club (1984), White Nights (1985), Running Scared (1986), The Gregory Hines Show (1997-1998), playing Ben on Will & Grace (1999-2000), and for voicing Big Bill on the Nick Jr. Channel animated children’s television program Little Bill (1999-2004).
Hines starred in more than 40 films and also appeared on Broadway. He received many accolades, including a Daytime Emmy Award, a Drama Desk Award, and a Tony Award, as well as nominations for a Screen Actors Guild Award and four Primetime Emmy Awards.
Gregory Hines was an American dancer, actor, choreographer, and singer. He is considered one of the most celebrated tap dancers of all time.
Gregory Hines is best known for his roles in films like Wolfen, The Cotton Club, White Nights, Running Scared, and for playing Ben on the TV show Will & Grace. He also voiced the character of Big Bill on the children’s animated series Little Bill.
Gregory Hines received many accolades, including a Daytime Emmy Award, a Drama Desk Award, and a Tony Award. He was also nominated for a Screen Actors Guild Award and four Primetime Emmy Awards.
Gregory Hines was born on February 14, 1946 in New York City.
Gregory Hines was a versatile performer, known for his skills as a dancer, actor, choreographer, and singer. He is especially renowned for his talent as a tap dancer, considered one of the greatest of all time.
Gregory Hines starred in more than 40 films over the course of his career.
In addition to his film work, Gregory Hines also appeared on Broadway.
I think everybody at some point – especially if they’ve been working their whole lives – should take time out and think about what they’ve done.
American actor and dancer (1946-2003)
I don’t remember not dancing. When I realized I was alive and these were my parents, and I could walk and talk, I could dance.
American actor and dancer (1946-2003)
They told me that the hotels had maybe two rooms set up for people with disabilities, but if they got there too late, and didn’t get one of these rooms, they couldn’t take a shower. The room wasn’t hooked up for them, or maybe the sink was too high.
American actor and dancer (1946-2003)
They were very generous with me. Everybody was willing to talk about their particular accident, what they had to deal with and how they got back in touch with their competitors’ spirit.
American actor and dancer (1946-2003)
I can remember feeling very angry, and saying no! I can do it myself! From that point of view it was very emotional for me to get myself to the point to sit in the chair and be “up”.
American actor and dancer (1946-2003)
I read the script, and I knew it was a good part. It was written for a white actor. That’s what I’m up against – I have to try to make roles happen for me that aren’t written black.
American actor and dancer (1946-2003)
Once I got to be about twenty-five, I got interested in the music of the time. I started smokin’ dope, I started drinking, I started slowing down and trying to find myself. I didn’t want to work in nightclubs.
American actor and dancer (1946-2003)
You know the first time I sat in the chair I felt anything but up, it was very emotional for me. I had a chair in my hotel room, a chair at rehearsal, and I was trying to spend as much time as I could in the chair.
American actor and dancer (1946-2003)
It would be like the films I’ve seen where wardens would decide to be in a jail cell for a week, to get a sense of what it would be like to be a prisoner.
American actor and dancer (1946-2003)
It turned out to be exactly that, but more challenging emotionally. I looked at it in a more physical way, having to act in a chair and move around. But it really was more emotionally challenging.
American actor and dancer (1946-2003)
My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.
American actor and dancer (1946-2003)
I never wanted to be a star, I just wanted to get work.
American actor and dancer (1946-2003)
I wanted to make a movie, because the whole life of the movies appealed to me. You work hard for three or four months, then you don’t work at all for a couple of months.
American actor and dancer (1946-2003)