Al Jardine
American musician
Jean-Michel Basquiat was a renowned American artist who gained fame in the 1980s as part of the Neo-expressionism movement. He started out as a graffiti artist in New York City before transitioning to the gallery scene, becoming one of the youngest artists to exhibit at major art events. Basquiat’s work often explored themes of wealth, poverty, and racism through a unique blend of text, imagery, and social commentary.
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Jean-Michel Basquiatwas an American artist who rose to success during the 1980s as part of the Neo-expressionism movement.
Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he became one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992.
Basquiat’s art focused on dichotomies such as wealth versus poverty, integration versus segregation, and inner versus outer experience. He appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique. He used social commentary in his paintings as a tool for introspection and for identifying with his experiences in the black community, as well as attacks on power structures and systems of racism.
Since his death at the age of 27 in 1988, Basquiat’s work has steadily increased in value. In 2017, Untitled, a 1982 painting depicting a black skull with red and yellow rivulets, sold for a record-breaking $110.5 million, becoming one of the most expensive paintings ever purchased.
Jean-Michel Basquiat was an American artist who rose to prominence in the 1980s as part of the Neo-expressionism movement. He first gained notoriety as a graffiti artist in New York City before transitioning to the gallery scene and becoming one of the youngest artists to exhibit at major art events.
Basquiat started out as a graffiti artist, writing enigmatic epigrams around Manhattan. By the early 1980s, his paintings were being exhibited in galleries and museums internationally, featuring a unique blend of text, imagery, abstraction, and social commentary.
Basquiat’s art often explored themes of wealth versus poverty, integration versus segregation, and inner versus outer experience. He used social commentary as a tool for introspection and identifying with his experiences as a member of the black community, as well as for attacking power structures and systems of racism.
At the age of 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he became one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art later held a retrospective of his artwork in 1992.
Since Basquiat’s death at the age of 27 in 1988, his work has steadily increased in value. In 2017, one of his paintings titled ‘Untitled’ sold for a record-breaking $110.5 million, making it one of the most expensive paintings ever purchased.
In the late 1970s, Basquiat first gained notoriety as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop culture.
Basquiat appropriated poetry, drawing, and painting, and married text and image, abstraction, figuration, and historical information mixed with contemporary critique in his artwork. His style and influences evolved from his early graffiti work to a more refined and conceptual approach in the gallery setting.
I had some money, I made the best paintings ever. I was completely reclusive, worked a lot, took a lot of drugs. I was awful to people.
American artist (1960-1988)
I don’t think about art when I’m working. I try to think about life.
American artist (1960-1988)
Believe it or not, I can actually draw.
American artist (1960-1988)
I am not a black artist, I am an artist.
American artist (1960-1988)
Since I was seventeen I thought I might be a star. I’d think about all my heroes, Charlie Parker, Jimi Hendrix… I had a romantic feeling about how these people became famous.
American artist (1960-1988)
I don’t listen to what art critics say. I don’t know anybody who needs a critic to find out what art is.
American artist (1960-1988)
I wanted to be a star, not a gallery mascot.
American artist (1960-1988)
I thought I was going to be a bum the rest of my life.
American artist (1960-1988)
I start a picture and I finish it.
American artist (1960-1988)