Jimi Hendrix
American guitarist (1942-1970)
Johannes Brahms was a renowned German composer, pianist, and conductor of the mid-Romantic period. His music drew inspiration from the classical masters, and his compositions remain a staple of the concert repertoire, including symphonies, concertos, a Requiem, and more. Brahms was self-conscious but ultimately successful, receiving the support of influential figures like Robert and Clara Schumann.
Table of Contents
Johannes Brahmswas a German composer, virtuoso pianist, and conductor of the mid-Romantic period. His music is rooted in the structures and compositional techniques of his Classicalforebears, including Ludwig van Beethoven and Johann Sebastian Bach. His compositions include four symphonies, four concertos, a Requiem, and many songs, amongst other music for symphony orchestra, piano, organ, voices, and chamber ensembles. They remain a staple of the concert repertoire.
Born to a musical family in Hamburg, he composed in his youth, concertizing locally. He toured Central Europe as a pianist in his early adulthood, working with Ede Remenyi and Joseph Joachim, meeting Franz Liszt in Weimar, and premiering many of his own works. He was self-conscious and could be severely self-critical, but his music was largely successful. It gradually formed the basis for a growing circle of supporters, friends, and musicians. With Joachim’s assistance, Brahms sought Robert Schumann’s approval, receiving both his and Clara Schumann’s vigorous support and guidance. Robert and later Hans von Bulow even cast him as Beethoven’s musical heir. After Brahms’s rued emergence counter to him in the War of the Romantics, Richard Wagner mocked this idea.
Amid Robert’s insanity and institutionalization, Brahms stayed with and became devoted to Clara in Dusseldorf. After Robert’s death, they remained close friends, and Brahms settled as a bachelor in Vienna. There Richard Muhlfeld inspired Brahms’s late clarinet music, and Brahms also wrote for cellist Robert Hausmann.
As both a traditionalist and an innovator, his contributions and craftsmanship were admired by a variety of composers, including Antonin Dvorakand Edward Elgar. Max Reger and Alexander Zemlinsky reconciled Brahms’s and Wagner’s often contrasted styles, as did Arnold Schoenberg. The latter and Anton Webern were inspired by the intricate structural coherence of Brahms’s music, including what Schoenberg termed its developing variation.
Johannes Brahms was a German composer, virtuoso pianist, and conductor of the mid-Romantic period, known for his contributions to classical music through his symphonies, concertos, and other compositions.
Brahms composed four symphonies, four concertos, a Requiem, and many songs, as well as other music for symphony orchestra, piano, organ, voices, and chamber ensembles.
Brahms’ music was rooted in the structures and compositional techniques of his Classical and earlier forebears, including Ludwig van Beethoven and Johann Sebastian Bach.
With the assistance of Joseph Joachim, Brahms sought the approval of Robert Schumann, receiving both his and Clara Schumann’s vigorous support and guidance. After Robert’s death, Brahms remained close friends with Clara.
Brahms’ contributions and craftsmanship were admired by a variety of composers, including AntonÃÂn Dvořák, Edward Elgar, and Arnold Schoenberg, who were inspired by the intricate structural coherence of Brahms’ music.
After Brahms’ emergence, Richard Wagner mocked the idea of Brahms being cast as Beethoven’s musical heir in the ,War of the Romantics, between Brahms’ traditionalist style and Wagner’s innovative approach.
Born in Hamburg, Brahms toured Central Europe as a pianist in his early adulthood and later settled as a bachelor in Vienna, where he was inspired by musicians like Richard Mühlfeld and Robert Hausmann.
It is not hard to compose, but what is fabulously hard is to leave the superfluous notes under the table.
German composer (1833-1897)
Composers in the old days used to keep strictly to the base of the theme, as their real subject. Beethoven varies the melody, harmony and rhythms so beautifully.
German composer (1833-1897)
Straight-away the ideas flow in upon me, directly from God, and not only do I see distinct themes in my mind’s eye, but they are clothed in the right forms, harmonies, and orchestration.
German composer (1833-1897)
A symphony is no joke.
German composer (1833-1897)
If there is anyone here whom I have not insulted, I beg his pardon.
German composer (1833-1897)
Those who enjoy their own emotionally bad health and who habitually fill their own minds with the rank poisons of suspicion, jealousy and hatred, as a rule take umbrage at those who refuse to do likewise, and they find a perverted relief in trying to denigrate them.
German composer (1833-1897)
Without craftsmanship, inspiration is a mere reed shaken in the wind.
German composer (1833-1897)
I sometimes ponder on variation form and it seems to me it ought to be more restrained, purer.
German composer (1833-1897)
We cling nervously to the melody, but we don’t handle it freely, we don’t really make anything new out of it, we merely overload it.
German composer (1833-1897)