William Blum
American author and historian
John Galsworthy was an English novelist and playwright. He is best known for his trilogy of novels collectively called The Forsyte Saga, and two later trilogies, A Modern Comedy and End of the Chapter.
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John Galsworthy was an English novelist and playwright. He is best known for his trilogy of novels collectively called The Forsyte Saga, and two later trilogies, A Modern Comedy and End of the Chapter. He was awarded the 1932 Nobel Prize in Literature.
Born to a prosperous upper-middle-class family, Galsworthy was destined for a career as a lawyer, but found it uncongenial and turned instead to writing. He was thirty before his first book was published in 1897, and did not achieve real success until 1906, when The Man of Property, the first of his novels about the Forsyte family was published. In the same year his first play, The Silver Box was staged in London. As a dramatist, he became known for plays with a social message, reflecting, among other themes, the struggle of workers against exploitation, the use of solitary confinement in prisons, the repression of women, jingoism and the politics and morality of war.
The Forsyte family series of novels and short stories collectively known as The Forsyte Chronicles is similar in many ways to Galsworthy’s family, and the patriarch, Old Jolyon, is modelled on Galsworthy’s father. The main sequence runs from the late 19th century to the early 1930s, featuring three generations of the family. The books were popular when first published and their latter-day popularity was boosted considerably when BBC Television broadcast a 26-part adaptation for the author’s centenary in 1967.
As well as writing plays and novels with social messages, Galsworthy campaigned continually for a wide range of causes about which he felt strongly, from animal welfare to prison reform, censorship and workers’ rights. Although seen by many as a radical, he belonged to and supported no political party. His plays are seldom revived, but his novels have been frequently reissued.
One’s eyes are what one is, one’s mouth is what one becomes.
English novelist and playwright (1867-1933)
There is one rule for politicians all over the world: Don’t say in Power what you say in opposition; if you do, you only have to carry out what the other fellows have found impossible.
English novelist and playwright (1867-1933)
Beginnings are always messy.
English novelist and playwright (1867-1933)
Idealism increases in direct proportion to one’s distance from the problem.
English novelist and playwright (1867-1933)
The beginnings and endings of all human undertakings are untidy.
English novelist and playwright (1867-1933)
A man is the sum of his actions, of what he has done, of what he can do, Nothing else.
English novelist and playwright (1867-1933)
Headlines twice the size of the events.
English novelist and playwright (1867-1933)
Love has no age, no limit; and no death.
English novelist and playwright (1867-1933)
If you do not think about your future, you cannot have one.
English novelist and playwright (1867-1933)
Religion was nearly dead because there was no longer real belief in future life; but something was struggling to take its place – service – social service – the ants creed, the bees creed.
English novelist and playwright (1867-1933)
When Man evolved Pity, he did a queer thing – deprived himself of the power of living life as it is without wishing it to become something different.
English novelist and playwright (1867-1933)
He was afflicted by the thought that where Beauty was, nothing ever ran quite straight, which no doubt, was why so many people looked on it as immoral.
English novelist and playwright (1867-1933)
A man of action forced into a state of thought is unhappy until he can get out of it.
English novelist and playwright (1867-1933)
The French cook; we open tins.
English novelist and playwright (1867-1933)