Kevin Williamson

That’s the thing about the script, is that how these people were affected by their decision, and how it could ultimately kill them, and I mean literally.

What I loved about ‘Summer’ was that they were these four bright kids with a wonderful future. In a way, she was the one with the brains, and then you have the beauty queen and the jock and the introvert.

It’s about a young girl who will stop at nothing to be the valedictorian of her class. It’s very dark and very wicked, but it’s got a great part for a kid, and a great part for an older woman.

And that’s what I liked about it, because they are, in the beginning, your little beautiful stock figures, who then make a decision to preserve their futures, but the decision they make isn’t completely right, and it destroys their futures.

It’s a morality film, and it poses the question “What would you do?” I took it very seriously, just as the director did in terms of atmosphere and lighting, and I was just trying to help that vision along.

Typically in horror films the character just services the plot, and you really are just going from ‘point a’ to ‘point b,’ just so that you can end up at ‘point c.’ They are just sort of stick characters. That’s just not interesting to me.

I don’t want to give too much of it away, because I haven’t cleared it with Bob, but the treatment is twenty years, and she, in an effort to protect herself faked her death and did a series of things regarding Dr. Loomis, who has died, because Michael Myers was after her.