Silvia Colloca
Italian singer, actress, author and TV cooking personality
Marian Andersonwas an American contralto. She performed a wide range of music, from opera to spirituals.
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Marian Andersonwas an American contralto. She performed a wide range of music, from opera to spirituals. Anderson performed with renowned orchestras in major concert and recital venues throughout the United States and Europe between 1925 and 1965.
Anderson was an important figure in the struggle for African American artists to overcome racial prejudice in the United States during the mid-twentieth century. In 1939, during the period of racial segregation, the Daughters of the American Revolutionrefused to allow Anderson to sing to an integrated audience in Constitution Hall in Washington, D.C. The incident placed Anderson in the spotlight of the international community on a level unusual for a classical musician. With the aid of First Lady Eleanor Roosevelt and her husband, President Franklin D. Roosevelt, Anderson performed a critically acclaimed open-air concert on Easter Sunday, April 9, 1939, on the Lincoln Memorial steps in the capital. The event was featured in a documentary film, Marian Anderson: The Lincoln Memorial Concert. She sang before an integrated crowd of more than 75,000 people and a radio audience in the millions.
On January 7, 1955, Anderson became the first African American singer to perform at the Metropolitan Opera. In addition, she worked as a delegate to the United Nations Human Rights Committee and as a Goodwill Ambassador for the United States Department of State, giving concerts all over the world. She participated in the civil rights movement in the 1960s, singing at the March on Washington for Jobs and Freedom in 1963. The recipient of numerous awards and honors, Anderson was awarded the first Presidential Medal of Freedom in 1963, the Congressional Gold Medal in 1977, the Kennedy Center Honors in 1978, the National Medal of Arts in 1986, and a Grammy Lifetime Achievement Award in 1991.
You lose a lot of time, hating people.
African-American contralto (1897-1993)
When you stop having dreams and ideals – well, you might as well stop altogether.
African-American contralto (1897-1993)
I have a great belief in the future of my people and my country.
African-American contralto (1897-1993)
I suppose I might insist on making issues of things. But that is not my nature, and I always bear in ming that my mission is to leave behind me the kind of impression that will make it easier for those who follow.
African-American contralto (1897-1993)
As long as you keep a person down, some part of you has to be down there to hold him down, so it means you cannot soar as you otherwise might.
African-American contralto (1897-1993)
Fear is a disease that eats away at logic and makes man inhuman.
African-American contralto (1897-1993)
When I sing, I don’t want them to see that my face is black. I don’t want them to see that my face is white. I want them to see my soul. And that is colorless.
African-American contralto (1897-1993)
A singer starts by having his instrument as a gift from God… When you have been given something in a moment of grace, it is sacrilegious to be greedy.
African-American contralto (1897-1993)
None of us is responsible for the complexion of his skin. This fact of nature offers no clue to the character or quality of the person underneath.
African-American contralto (1897-1993)
There are many persons ready to do what is right because in their hearts they know it is right. But they hesitate, waiting for the other fellow to make the make the first move – and he, in turn, waits for you.
African-American contralto (1897-1993)
Leadership should be born out of the understanding of the needs of those who would be affected by it.
African-American contralto (1897-1993)
The minute a person whose word means a great deal to others dare to take the open-hearted and courageous way, many others follow.
African-American contralto (1897-1993)
Prayer begins where human capacity ends.
African-American contralto (1897-1993)
I forgave the DAR many years ago. You lose a lot of time hating people.
African-American contralto (1897-1993)
Prejudice is like a hair across your cheek. You can’t see it, you can’t find it with your fingers, but you keep brushing at it because the feel of it is irritating.
African-American contralto (1897-1993)