Evelyn Waugh
British writer and journalist (1903-1966)
Jean-Baptiste Poquelin- 17 February 1673), known by his stage name Moliere (UK: , US: , French: [moljeR]), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comedie-ballets, and more.
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Jean-Baptiste Poquelin- 17 February 1673), known by his stage name Moliere (UK: , US: , French: [moljeR]), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comedie-ballets, and more. His plays have been translated into every major living language and are performed at the Comedie-Francaise more often than those of any other playwright today. His influence is such that the French language is often referred to as the “language of Moliere”.
Born into a prosperous family and having studied at the College de Clermont (now Lycee Louis-le-Grand), Moliere was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell’arte elements with the more refined French comedy.
Through the patronage of aristocrats including Philippe I, Duke of Orleans–the brother of Louis XIV–Moliere procured a command performance before the King at the Louvre. Performing a classic play by Pierre Corneille and a farce of his own, The Doctor in Love, Moliere was granted the use of salle du Petit-Bourbon near the Louvre, a spacious room appointed for theatrical performances. Later, he was granted the use of the theatre in the Palais-Royal. In both locations, Moliere found success among Parisians with plays such as The Affected Ladies, The School for Husbands, and The School for Wives. This royal favour brought a royal pension to his troupe and the title Troupe du Roi (“The King’s Troupe”). Moliere continued as the official author of court entertainments.
Despite the adulation of the court and Parisians, Moliere’s satires attracted criticism from other circles. For Tartuffe’s impiety, the Catholic Church in France denounced this study of religious hypocrisy, which was followed by a ban by the Parlement, while Dom Juan was withdrawn and never restaged by Moliere. His hard work in so many theatrical capacities took its toll on his health and, by 1667, he was forced to take a break from the stage. In 1673, during a production of his final play, The Imaginary Invalid, Moliere, who suffered from pulmonary tuberculosis, was seized by a coughing fit and a haemorrhage while playing the hypochondriac Argan; he finished the performance but collapsed again and died a few hours later.
The greater the obstacle, the more glory in overcoming it.
French playwright and actor (1622-1673)
One ought to look a good deal at oneself before thinking of condemning others.
French playwright and actor (1622-1673)
I live on good soup, not on fine words.
French playwright and actor (1622-1673)
The duty of comedy is to correct men by amusing them.
French playwright and actor (1622-1673)
Grammar, which knows how to control even kings.
French playwright and actor (1622-1673)
True, Heaven prohibits certain pleasures; but one can generally negotiate a compromise.
French playwright and actor (1622-1673)
We die only once, and for such a long time.
French playwright and actor (1622-1673)
Of all the noises known to man, opera is the most expensive.
French playwright and actor (1622-1673)
Solitude terrifies the soul at twenty.
French playwright and actor (1622-1673)
Ah! how annoying that the law doesn’t allow a woman to change husbands just as one does shirts.
French playwright and actor (1622-1673)
As the purpose of comedy is to correct the vices of men, I see no reason why anyone should be exempt.
French playwright and actor (1622-1673)
Perfect reason flees all extremity, and leads one to be wise with sobriety.
French playwright and actor (1622-1673)
It’s true Heaven forbids some pleasures, but a compromise can usually be found.
French playwright and actor (1622-1673)
Oh, how fine it is to know a thing or two.
French playwright and actor (1622-1673)
If you suppress grief too much, it can well redouble.
French playwright and actor (1622-1673)
The more we love our friends, the less we flatter them; it is by excusing nothing that pure love shows itself.
French playwright and actor (1622-1673)
Reason is not what decides love.
French playwright and actor (1622-1673)
To marry a fool is to be no fool.
French playwright and actor (1622-1673)
No matter what Aristotle and the Philosophers say, nothing is equal to tobacco; it’s the passion of the well-bred, and he who lives without tobacco lives a life not worth living.
French playwright and actor (1622-1673)
All the ills of mankind, all the tragic misfortunes that fill the history books, all the political blunders, all the failures of the great leaders have arisen merely from a lack of skill at dancing.
French playwright and actor (1622-1673)
I have the fault of being a little more sincere than is proper.
French playwright and actor (1622-1673)
There’s nothing quite like tobacco: it’s the passion of decent folk, and whoever lives without tobacco doesn’t deserve to live.
French playwright and actor (1622-1673)
If everyone were clothed with integrity, if every heart were just, frank, kindly, the other virtues would be well-nigh useless.
French playwright and actor (1622-1673)
He who follows his lessons tastes a profound peace, and looks upon everybody as a bunch of manure.
French playwright and actor (1622-1673)
Frenchmen have an unlimited capacity for gallantry and indulge it on every occasion.
French playwright and actor (1622-1673)
I want to be distinguished from the rest; to tell the truth, a friend to all mankind is not a friend for me.
French playwright and actor (1622-1673)
The trees that are slow to grow bear the best fruit.
French playwright and actor (1622-1673)
Unreasonable haste is the direct road to error.
French playwright and actor (1622-1673)
Every good act is charity. A man’s true wealth hereafter is the good that he does in this world to his fellows.
French playwright and actor (1622-1673)
Books and marriage go ill together.
French playwright and actor (1622-1673)
A learned fool is more a fool than an ignorant fool.
French playwright and actor (1622-1673)
There is no praise to bear the sort that you put in your pocket.
French playwright and actor (1622-1673)
Esteem must be founded on preference: to hold everyone in high esteem is to esteem nothing.
French playwright and actor (1622-1673)
It is the public scandal that offends; to sin in secret is no sin at all.
French playwright and actor (1622-1673)
Oh, I may be devout, but I am human all the same.
French playwright and actor (1622-1673)
People of quality know everything without ever having learned anything.
French playwright and actor (1622-1673)
A lover tries to stand in well with the pet dog of the house.
French playwright and actor (1622-1673)
Love is often the fruit of marriage.
French playwright and actor (1622-1673)
I feed on good soup, not beautiful language.
French playwright and actor (1622-1673)
If you make yourself understood, you’re always speaking well.
French playwright and actor (1622-1673)
I prefer a pleasant vice to an annoying virtue.
French playwright and actor (1622-1673)
A wise man is superior to any insults which can be put upon him, and the best reply to unseemly behavior is patience and moderation.
French playwright and actor (1622-1673)
There are pretenders to piety as well as to courage.
French playwright and actor (1622-1673)
It is not only for what we do that we are held responsible, but also for what we do not do.
French playwright and actor (1622-1673)
It is a strange enterprise to make respectable people laugh.
French playwright and actor (1622-1673)
All which is not prose is verse; and all which is not verse is prose.
French playwright and actor (1622-1673)
Don’t appear so scholarly, pray. Humanize your talk, and speak to be understood.
French playwright and actor (1622-1673)
It is a fine seasoning for joy to think of those we love.
French playwright and actor (1622-1673)
It infuriates me to be wrong when I know I’m right.
French playwright and actor (1622-1673)
Some of the most famous books are the least worth reading. Their fame was due to their having done something that needed to be doing in their day. The work is done and the virtue of the book has expired.
French playwright and actor (1622-1673)
People don’t mind being mean; but they never want to be ridiculous.
French playwright and actor (1622-1673)
I have the knack of easing scruples.
French playwright and actor (1622-1673)
Writing is like prostitution. First you do it for love, and then for a few close friends, and then for money.
French playwright and actor (1622-1673)
Of all follies there is none greater than wanting to make the world a better place.
French playwright and actor (1622-1673)
One should eat to live, not live to eat.
French playwright and actor (1622-1673)