Robert Greenwald
American filmmaker
Norman Lear was an acclaimed American screenwriter and producer who created and produced numerous popular 1970s sitcoms, including All in the Family, Maude, and The Jeffersons. He was known for his political activism and for introducing social and political themes into the sitcom format.
Table of Contents
Norman Milton Learwas an American screenwriter and producer who produced, wrote, created, or developed over 100 shows. Lear created and produced numerous popular 1970s sitcoms, including All in the Family (1971-1979), Maude (1972-1978), Sanford and Son (1972-1977), One Day at a Time (1975-1984), The Jeffersons (1975-1985), and Good Times (1974-1979). His shows introduced political and social themes to the sitcom format.
Lear received many awards, including six Primetime Emmy Awards, two Peabody Awards, the National Medal of Arts in 1999, the Kennedy Center Honors in 2017, and the Golden Globe Carol Burnett Award in 2021. He was a member of the Television Academy Hall of Fame.
Lear was known for his political activism and funding of liberal and progressive causes and politicians. In 1980, he founded the advocacy organization People for the American Way to counter the influence of the Christian right in politics, and in the early 2000s, he mounted a tour with a copy of the Declaration of Independence.
Norman Lear was an American screenwriter and producer who produced, wrote, created, or developed over 100 shows.
Norman Lear created and produced popular 1970s sitcoms such as All in the Family, Maude, Sanford and Son, One Day at a Time, The Jeffersons, and Good Times.
Norman Lear received numerous awards, including six Primetime Emmy Awards, two Peabody Awards, the National Medal of Arts, the Kennedy Center Honors, and the Golden Globe Carol Burnett Award.
Norman Lear was known for his political activism and funding of liberal and progressive causes and politicians. He founded the advocacy organization People for the American Way to counter the influence of the Christian right in politics.
Norman Lear’s sitcoms were known for introducing political and social themes into the sitcom format, which was a departure from the more traditional, apolitical sitcoms of the time.
Norman Lear was born on July 27, 1922, and passed away on December 5, 2023.
Norman Lear’s legacy is his significant impact on the television industry, having produced, written, and developed over 100 shows, many of which became iconic and influential sitcoms.
We are a country of excess. So it’s not the violence, per se, but the exacerbation and constant repetition.
American television writer and producer (1922-2023)
Originally, with all the shows, we went looking for belly laughs.
American television writer and producer (1922-2023)
In the area we’re discussing, leadership begins on Madison Avenue, on the desks and in the offices of people who spend hundreds of millions of dollars buying what will get them ratings.
American television writer and producer (1922-2023)
Nobody doubts my partisanship, but a lot of the activity is nonpartisan.
American television writer and producer (1922-2023)
Life goes on pretty much the same way. I’ve been working on a couple of films on the side. You may see some more. You may even see another television show.
American television writer and producer (1922-2023)
Life is about having a good time, and it was a good time. We did some things well and some things poorly, but that was always the case.
American television writer and producer (1922-2023)
There was no real controversy with All In The Family. That came from the people on the business end.
American television writer and producer (1922-2023)
That’s the heart of it: My shows were not that controversial with the American people. They were controversial with the people who think for the American people.
American television writer and producer (1922-2023)
You’re in the business – when you’re a writer, producer, director – to get ratings.
American television writer and producer (1922-2023)
We got ratings. It isn’t that they won’t quarrel with you, or say you’re always right. But as long as you stay strong and the ratings are good and you’re reasonable – I don’t think we fought unreasonably. We basically won that right.
American television writer and producer (1922-2023)
The American people may not be the best-educated, but they’re very wise at heart.
American television writer and producer (1922-2023)
I guess because the shows were activist in their own way – the marriage of my public activism and my career activism, you know – people understand me very well. They also understand there’s a very strong bipartisan part in all of this.
American television writer and producer (1922-2023)
I wanted to just do a one-act play for 26 minutes, with commercials at the beginning and end. For years, I couldn’t get my way. They wanted to interrupt three times.
American television writer and producer (1922-2023)
Life is made up of small pleasures. Happiness is made up of those tiny successes. The big ones come too infrequently. And if you don’t collect all these tiny successes, the big ones don’t really mean anything.
American television writer and producer (1922-2023)
Even when they don’t know who Nixon was, these shows will continue to play.
American television writer and producer (1922-2023)
We did an episode on Good Times which came out of a newspaper article about the incidence of hypertension in black males being higher than whites, and increasing. So we did a show in which James, the father on Good Times, had hypertension.
American television writer and producer (1922-2023)
So we gravitated to shows and issues and causes that made people care.
American television writer and producer (1922-2023)
At great, great remove sit the head of General Electric, the head of News Corp, the head of Viacom, or the head of this giant international corporation that wants these ratings.
American television writer and producer (1922-2023)
I think the greater responsibility, in terms of morality, is where leadership begins.
American television writer and producer (1922-2023)
Maybe they continued to agree with Archie Bunker – as I said earlier, you can’t change people’s minds, but you can get them to think.
American television writer and producer (1922-2023)
When we went on the air, I didn’t want to be interrupted for an act-one curtain.
American television writer and producer (1922-2023)
TV that people will never see, that giant international corporations will never touch, will never pay your salary.
American television writer and producer (1922-2023)
It crossed our minds early on that the more an audience cared – we were working before, on average, 240, live people. If you could get them caring – the more they cared, the harder they laughed.
American television writer and producer (1922-2023)
The trafficking of sex and violence is comes after the demand for ratings.
American television writer and producer (1922-2023)
But you know, my dad called me the laziest white kid he ever met. When I screamed back at him that he was putting down a race of people to call me lazy, his answer was that’s not what he was doing, and that I was also the dumbest white kid he ever met.
American television writer and producer (1922-2023)
But it also became the experience, or was the experience, of the writers who were attracted to this kind of humor. They’re all men or women who come from the same kind of experience in their own lives.
American television writer and producer (1922-2023)
Granted, the writers, directors, producers, and that community make a great deal of money. But they might be choosing to do a whole lot of other things for the living they make.
American television writer and producer (1922-2023)
I stop and look at traffic accidents. I won’t hang around, but when I hear something is terrible, as bad as it is, I’ve gotta look at it.
American television writer and producer (1922-2023)
In this nation, leadership is dollars.
American television writer and producer (1922-2023)