Sima Qian

Chinese historian and writer

Sima Qianwas a Chinese historian during the early Han dynasty. He is considered the father of Chinese historiography for his Records of the Grand Historian, a general history of China covering more than two thousand years beginning from the rise of the legendary Yellow Emperor and the formation of the first Chinese polity to the reign of Emperor Wu of Han, during which Sima wrote.

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About the Sima Qian

Sima Qianwas a Chinese historian during the early Han dynasty. He is considered the father of Chinese historiography for his Records of the Grand Historian, a general history of China covering more than two thousand years beginning from the rise of the legendary Yellow Emperor and the formation of the first Chinese polity to the reign of Emperor Wu of Han, during which Sima wrote. As the first universal history of the world as it was known to the ancient Chinese, the Records of the Grand Historian served as a model for official history-writing for subsequent Chinese dynasties and the Sinosphere in general until the 20th century.

Sima Qian’s father, Sima Tan, first conceived of the ambitious project of writing a complete history of China, but had completed only some preparatory sketches at the time of his death. After inheriting his father’s position as court historian in the imperial court, he was determined to fulfill his father’s dying wish of composing and putting together this epic work of history. However, in 99 BC, he would fall victim to the Li Ling affair for speaking out in defense of the general, who was blamed for an unsuccessful campaign against the Xiongnu. Given the choice of being executed or castrated, he chose the latter in order to finish his historical work. Although he is universally remembered for the Records, surviving works indicate that he was also a gifted poet and prose writer, and he was instrumental in the creation of the Taichu calendar, which was officially promulgated in 104 BC.

As his position in the imperial court was “Grand Historian”for his monumental work. However, his magnum opus was completed many years after his tenure as Grand Historian ended in disgrace and after his acceptance of punitive actions against him including imprisonment, castration, and subjection to servility. He was acutely aware of the importance of his work to posterity and its relationship to his own personal suffering. In the postface of the Records, he implicitly compared his universal history of China to the classics of his day, the Guoyu by Zuo Qiuming, “Li Sao” by Qu Yuan, and the Art of War by Sun Bin, pointing out that their authors all suffered great personal misfortunes before their lasting monumental works could come to fruition. Sima Qian is also depicted in the Wu Shuang Pu by Jin Guliang.