John Harvey Kellogg
{mb_by_description}
{mb_by_casual_summary}
Table of Contents
Vera Ellen Wangis an American fashion designer. Wang initially pursued a career in figure skating before transitioning to fashion. She worked for Vogue and Ralph Lauren before launching her own bridal gown boutique in 1990.
Wang gained international recognition for her wedding dress designs. Her gowns have been worn by numerous celebrities. She expanded her brand to include ready-to-wear fashion, accessories, fragrances, and home goods.
When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
{mb_by_description:plain}
A woman is never sexier than when she is comfortable in her clothes.
{mb_by_description:plain}
Don’t be afraid to take time to learn. It’s good to work for other people. I worked for others for 20 years. They paid me to learn.
{mb_by_description:plain}
I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
{mb_by_description:plain}
Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
{mb_by_description:plain}
It’s a remarkable exercise to sit and look at your own work over the years.
{mb_by_description:plain}
As the mother of two daughters, I have great respect for women. And I don’t ever want to lose that.
{mb_by_description:plain}
To me, eyewear goes way beyond being a prescription. It’s like makeup. It’s the most incredible accessory. The shape of a frame or the color of lenses can change your whole appearance.
{mb_by_description:plain}
I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
{mb_by_description:plain}
All those years of skating and dancing have carried over. I can’t design anything without thinking of how a woman’s body will look and move when she’s wearing it.
{mb_by_description:plain}
When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
{mb_by_description:plain}
I adore the challenge of creating truly modern clothes, where a woman’s personality and sense of self are revealed. I want people to see the dress, but focus on the woman.
{mb_by_description:plain}
It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
{mb_by_description:plain}
I work with structure, but I go outside the box and give it my own spin. I adore the challenge of creating truly modern clothes – where a woman’s personality and sense of style are realized.
{mb_by_description:plain}
I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
{mb_by_description:plain}