Brett Somers
Canadian-American actress, singer and game-show personality (1924-2007)
Zhang Yimou is a renowned Chinese filmmaker who has received numerous accolades, including Academy Award nominations and prestigious film festival awards. He is known for his rich use of color and his exploration of the resilience of the Chinese people in the face of hardship and adversity.
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Zhang Yimouis a Chinese filmmaker. A leading figure of China’s Fifth Generation directors, he made his directorial debut in 1988 with Red Sorghum, which won the Golden Bear at the Berlin International Film Festival.
Zhang has won numerous awards and recognitions, with three Academy Awards nominations for Best Foreign Language Film for Ju Dou in 1990, Raise the Red Lantern in 1991, and Hero in 2003; a Silver Lion, two Golden Lion prizes and the Glory to the Filmmaker Award at the Venice Film Festival; Grand Jury Prize, Prize of the Ecumenical Jury and Technical Grand Prize at the Cannes Film Festival; the Golden Bear, the Silver Bear Grand Jury Prize and the Prize of the Ecumenical Jury at the Berlin International Film Festival. In 1993, he was a member of the jury at the 43rd Berlin International Film Festival. Zhang directed the opening and closing ceremonies of the 2008 Beijing Summer Olympic Games as well as the opening and closing ceremonies of the 2022 Beijing Winter Olympic Games, which received considerable international acclaim.
One of Zhang’s recurrent themes is the resilience of Chinese people in the face of hardship and adversity, a theme which has been explored in such films as To Liveand Not One Less (1999). His films are particularly noted for their rich use of colour, as can be seen in some of his early films, like Raise the Red Lantern, and in his wuxia films like Hero and House of Flying Daggers. His highest-budgeted film to date is the 2016 monster film The Great Wall, set in Imperial China and starring Matt Damon. In 2010, Zhang received an honorary doctorate from Yale, and in 2018, he was awarded an honorary doctorate from Boston University. In 2022, he joined the Beijing Film Academy as a distinguished professor.
Zhang Yimou is a Chinese filmmaker considered a key figure of China’s Fifth Generation filmmakers. He made his directorial debut in 1988 with the award-winning film ‘Red Sorghum’.
Zhang Yimou has won numerous awards, including three Academy Award nominations for Best Foreign Language Film, a Silver Lion, two Golden Lion prizes, and the Glory to the Filmmaker Award at the Venice Film Festival, among other prestigious accolades.
Some of Zhang Yimou’s most notable films include ‘Ju Dou’, ‘Raise the Red Lantern’, ‘Hero’, ‘To Live’, and ‘Not One Less’, which often explore the resilience of the Chinese people.
Zhang Yimou is known for his rich use of color in his films, particularly in early works like ‘Raise the Red Lantern’ and his wuxia films such as ‘Hero’ and ‘House of Flying Daggers’.
In addition to his filmmaking career, Zhang Yimou directed the opening and closing ceremonies of the 2008 Beijing Summer Olympic Games and the 2022 Beijing Winter Olympic Games, which received considerable international acclaim.
A recurrent theme in Zhang Yimou’s films is the resilience of the Chinese people in the face of hardship and adversity, as seen in films like ‘To Live’ and ‘Not One Less’.
In 2022, Zhang Yimou joined the Beijing Film Academy as a distinguished professor, further cementing his legacy as a renowned figure in the Chinese film industry.
HERO is a combination of my personal feeling and the commercialism.
Chinese filmmaker
To survive is to win.
Chinese filmmaker
But I think we need the international market.
Chinese filmmaker
I am a fan of wuxia.
Chinese filmmaker
Time has changed and now is the age of spending.
Chinese filmmaker
I hope before I am getting too old and when my mind is still functioning, I can tell some better stories.
Chinese filmmaker
To do art, one thing should always remember – subjects of people in misery have deep meanings.
Chinese filmmaker
Under the big political umbrella, a man is just like a leaf in the ocean, with no control of his destiny and does not have any choice.
Chinese filmmaker
I must stick with Chinese language films.
Chinese filmmaker
The so-called commercialism includes elements like story, plots, rhythms and large big scenes.
Chinese filmmaker
Ang Lee was educated in the West and his English is good.
Chinese filmmaker
For over ten years I always had, but I don’t speak English.
Chinese filmmaker
Now a movie with 30 million returns would be something very incredible and the producer can only get 10 to 15 million. This is only 100 thousands US dollars. This is not enough!
Chinese filmmaker
Wuxia is a fantasy world exists in everyone’s mind.
Chinese filmmaker
People have become shallower. They view spending, entertaining, seeking leisure and enjoying as the main objectives of their life.
Chinese filmmaker
You must know what you are capable of.
Chinese filmmaker
This is my first wuxia movie and I must consider this before trying to make something with my own.
Chinese filmmaker
I’m not Ang Lee who knows so much about western market and the taste of western audiences.
Chinese filmmaker
People in misery is what most important in art.
Chinese filmmaker
Piracy has destroyed the domestic market.
Chinese filmmaker
Only people have been through that miserable time will recall the pass from their deep memory.
Chinese filmmaker