Interpretation is the revenge of the intellectual upon art.

Meaning of the quote

The quote means that when people try to analyze and explain art, they are trying to take control over it. The art itself has a power that the intellectual wants to understand and conquer. However, by interpreting art, the intellectual is really just trying to get back at the art for being something they can't fully comprehend.

About Susan Sontag

Susan Sontag was a renowned American writer, critic, and public intellectual. She was known for her influential essays on topics like art, photography, and war, as well as her fictional works. Sontag was a prominent voice in various social and political movements, and her writings have been praised as being among the most impactful of her generation.

More about the author

More quotes from Susan Sontag

For those who live neither with religious consolations about death nor with a sense of death (or of anything else) as natural, death is the obscene mystery, the ultimate affront, the thing that cannot be controlled. It can only be denied.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

A fiction about soft or easy deaths is part of the mythology of most diseases that are not considered shameful or demeaning.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The love of the famous, like all strong passions, is quite abstract. Its intensity can be measured mathematically, and it is independent of persons.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Pornography is a theatre of types, never of individuals.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

AIDS obliges people to think of sex as having, possibly, the direst consequences: suicide. Or murder.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

I do not think white America is committed to granting equality to the American Negro. This is a passionately racist country; it will continue to be so in the foreseeable future.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Life is not significant details, illuminated by a flash, fixed forever. Photographs are.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

In America, the photographer is not simply the person who records the past, but the one who invents it.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Silence remains, inescapably, a form of speech.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The painter constructs, the photographer discloses.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Ambition, if it feeds at all, does so on the ambition of others.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

What we need is to use what we have.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Mallarme said that everything in the world exists in order to end in a book. Today everything exists to end in a photograph.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Volume depends precisely on the writer’s having been able to sit in a room every day, year after year, alone.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Travel becomes a strategy for accumulating photographs.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Intelligence is really a kind of taste: taste in ideas.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

My idea of a writer: someone interested in everything.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

So successful has been the camera’s role in beautifying the world that photographs, rather than the world, have become the standard of the beautiful.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The ideology of capitalism makes us all into connoisseurs of liberty – of the indefinite expansion of possibility.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The taste for quotations (and for the juxtaposition of incongruous quotations) is a Surrealist taste.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

What is the most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

It is not suffering as such that is most deeply feared but suffering that degrades.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The past itself, as historical change continues to accelerate, has become the most surreal of subjects – making it possible… to see a new beauty in what is vanishing.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Any critic is entitled to wrong judgments, of course. But certain lapses of judgment indicate the radical failure of an entire sensibility.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Anything in history or nature that can be described as changing steadily can be seen as heading toward catastrophe.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Any important disease whose causality is murky, and for which treatment is ineffectual, tends to be awash in significance.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Existence is no more than the precarious attainment of relevance in an intensely mobile flux of past, present, and future.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The life of the creative man is lead, directed and controlled by boredom. Avoiding boredom is one of our most important purposes.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

I don’t want to express alienation. It isn’t what I feel. I’m interested in various kinds of passionate engagement. All my work says be serious, be passionate, wake up.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

To photograph is to confer importance.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

I was not looking for my dreams to interpret my life, but rather for my life to interpret my dreams.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Societies need to have one illness which becomes identified with evil, and attaches blame to its victims.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Books are funny little portable pieces of thought.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Lying is an elementary means of self-defense.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The truth is always something that is told, not something that is known. If there were no speaking or writing, there would be no truth about anything. There would only be what is.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

In the final analysis, style is art. And art is nothing more or less than various modes of stylized, dehumanized representation.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

AIDS occupies such a large part in our awareness because of what it has been taken to represent. It seems the very model of all the catastrophes privileged populations feel await them.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

What pornography is really about, ultimately, isn’t sex but death.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The only interesting answers are those that destroy the questions.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

It is not altogether wrong to say that there is no such thing as a bad photograph – only less interesting, less relevant, less mysterious ones.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

As photographs give people an imaginary possession of a past that is unreal, they also help people to take possession of space in which they are insecure.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The aim of all commentary on art now should be to make works of art – and, by analogy, our own experience – more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Although none of the rules for becoming more alive is valid, it is healthy to keep on formulating them.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

“Camp” is a vision of the world in terms of style – but a particular style. It is the love of the exaggerated.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The becoming of man is the history of the exhaustion of his possibilities.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The truth is balance. However the opposite of truth, which is unbalance, may not be a lie.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Authoritarian political ideologies have a vested interest in promoting fear, a sense of the imminence of takeover by aliens and real diseases are useful material.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Most people in this society who aren’t actively mad are, at best, reformed or potential lunatics.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

A family’s photograph album is generally about the extended family and, often, is all that remains of it.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Sanity is a cozy lie.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

It is not the position, but the disposition.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Lying is the most simple form of self-defence.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Depression is melancholy minus its charms – the animation, the fits.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

I envy paranoids; they actually feel people are paying attention to them.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Interpretation is the revenge of the intellectual upon art.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Victims suggest innocence. And innocence, by the inexorable logic that governs all relational terms, suggests guilt.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Making social comment is an artificial place for an artist to start from. If an artist is touched by some social condition, what the artist creates will reflect that, but you can’t force it.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

The problems of this world are only truly solved in two ways: by extinction or duplication.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

To take a photograph is to participate in another person’s mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)

Surrealism is a bourgeois disaffection; that its militants thought it universal is only one of the signs that it is typically bourgeois.

Susan Sontag

American writer and filmmaker, professor, and activist (1933-2004)