I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

You can give some kind of spark of life to a comic that a photograph doesn’t really have. A photograph, even if it’s connecting with you, it seems very dead on the page sometimes.

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It’s kind of a fine line.

I love the medium and I love individual comics, but the business is nothing I would be proud of.

When you see somebody who’s got a complaining personality, it usually means that they had some vision of what things could be, and they’re constantly disappointed by that. I think that would be the camp that I would fall into – constantly horrified by the things people do.

I must have been 3 years old or less, and I remember paging through these comics, trying to figure out the stories. I couldn’t read the words, so I made up my own stories.

It’s embarrassing to be involved in the same business as the mainstream comic thing. It’s still very embarrassing to tell other adults that I draw comic books – their instant, preconceived notions of what that means.