I like films to have something inside, I don’t mean a message, I mean something from the soul.
Meaning of the quote
This director wants films to have a deeper, more emotional feeling. He doesn't want them to just have a simple message, but rather something that comes from the heart and connects with the audience on a personal level.
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More quotes from Dario Argento
Maybe when I stop making movies, I’ll understand my work better.
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I like to watch many things, especially strange films and something recent, not just the story.
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But you know, as you say, the original versions of my films are getting out there, slowly.
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The Opera was a very cold film, a hopeless and dark film, no hope, no love.
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But no one should have the right to manipulate my films in the first place.
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It irritated me that my fans kept wanting me to retread old ground.
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My life and career is my own adventure.
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Young girls of 13 or 12 are great actors.
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If you don’t like my movies, don’t watch them.
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I went through a phase where I thought nostalgia was a bad thing.
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Then I realized my early work did have something special that audiences adored apart from what I humbly thought about them. They occupy a distinguished niche in Italian film history and probably always will.
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I also don’t like films that are made just to make money, no this kind of film I don’t like.
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If you make a film normally it’s all right, the distributors are helpful and cooperative. But if you make a film that’s a little stange, a little bizarre, then all the time it’s a struggle with them.
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Paradise is too perfect for humanity.
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I wanted to get back to my style of 20 years ago after a long period of exploring horror and fantasy themes.
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When I was a teenager, I read a lot of Poe.
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When I see a film I’ve finished, it’s like another person made it. Like another mind.
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I like films to have something inside, I don’t mean a message, I mean something from the soul.
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I’ve been lucky enough to have had the luxury of being able to make the picture I’ve wanted to make each time on my own terms and without compromise.
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It’s incredible that they censor films. It’s sad.
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I’ve never gone into analysis. But Freud opened a door, I know.
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So I haven’t thought about the critics for a long time.
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Even in the former Soviet Union, they have good copies of my movies.
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To try and raise a budget for a film that is strictly for adults and both strong and graphic in content is not easy, especially when there is pressure to spend serious money on good special effects.
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In each of my characters there is a little of me. Not strictly autobiographical but a little piece of my soul.
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When I was five. That’s when I started to love film.
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In Italy the censor is very old and there are many judges and psychiatrists who analyse you.
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Every writer, to some extent, writes about himself.
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The psychiatrists examine you and ask you about your life and work, and then they decide whether your film can be shown or not. It’s a horrible experience.
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I want to do what I want when I want to do it not be dictated to by audiences.
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There’s nothing gratuitous about my films.
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I’m very interested in portraying homosexual man and woman in my films because I’m interested in their lives and their problems.
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