When you’re kept by a patron you don’t have to duke it out in the media marketplace for dollars and for readers. In some ways that’s a blessing because it takes a lot of pressure off you.

Journalism is not just a cause, it’s also a wacky profession.

I have enormous respect for Steve Johnson, and as I’ve told him, Feed was one of the inspirations for Salon. They were up there before we were. And also for Joey and the Suck people.

Other than that one year, Salon has been very cautious about the way it spends money. For instance, since last year, we’ve had virtually no marketing budget. It’s just word of mouth. And our circulation continues to grow that way by breaking news stories.

I got kicked out of high school, so I couldn’t get into very many colleges.

I don’t think Fox News or Rush Limbaugh need Clinton it turns out. I think there’s a hunger out there for – whether it’s on the left or right – a more lively and provocative type of political journalism. I think Salon and Fox on the other side have both benefited from that.

There are not that many new media brands you can say that about nowadays.

My favorite thing is still journalism. I’m almost 50. This has been my life ever since I was in college.

I think we’re really getting it right the last few months and hopefully we’ll get better and better at it.

Most Sunday magazines, with the New York Times as an exception, are kind of sleepy, weekend service vehicles to move living room products.

I have no regrets about launching Salon. For the life of me, I can’t imagine doing anything else.

The entire American media apparatus bought into the drug war – which is an enormously damaging and costly undertaking for this country – and there wasn’t enough critical reporting about it and that’s why it’s gotten out of hand.

I think there is a difference between Slate and Salon. I think we both serve important functions on the Internet. As more and more Websites disappear, I’m thankful Slate is still around because it makes things less lonely.

They may be a little more high brow than we are.

The only school that let me in was U.C. Santa Cruz, which is where I went. They didn’t have a journalism program, so I took sociology, which is the closest thing to journalism.

I knew I wanted to be a journalist ever since I was a teenager. While it is interesting and gratifying to be on the business side and to see how that all works, the main reason I kept a business role here was to protect the editorial integrity of Salon.

A lot of my idealism was frustrated by the end of the ’60s because of the way things went with the assassinations and the sense that the political establishment was so fixed in its ways you couldn’t change anything.

You can crash on one set of rocks or the other set of rocks, and they crashed on the other set of rocks, which was probably being too little to be commercially viable.

I know that doesn’t sound very radical and webby of me to say that but I think the New York Times is important. I also think there’s an occasional piece that will pop out.

Most magazines have become wallpaper, they’re all the same, all the same celebrities. It’s really an abysmal time in American journalism right now. But occasionally one story or two will pop out.

Do I regret taking the company public? Yes and no. Yes, because it put us under enormous pressure for a young company to go public at that point in its history, something you never could have done in the old days.

It’s like a cast of actors; you’re all working together closely under pressure to produce something everyday. And when we put up an issue, it’s like the curtains opening on a new play. I really like that daily sense of surprise.

I don’t think we would still be here if we hadn’t gone public.

After Watergate, which happened when I was in college, I became increasingly inspired by journalism as a way to change the world. It sounds corny, but to wake the public up, to serve a higher cause.

The entire economy, of course, is locked in a down cycle right now. Last time we weathered this was during another Bush presidency in ’90. We were locked in it for a year and a half and everyone came out of it.

I think we’ve broken story after story that the rest of the media refused to break even when they had the story because they were scared of the story, or they just didn’t think it was appropriate.

Even more important maybe, or equally more important at least, is they don’t have to scrap for a living.

While I’m critical to the Bush presidency, it’s been enormously beneficial for Salon because we’re seen as kind of an aggressive watchdog on the Bush White House. Particularly since Florida, our readership hit a whole new level, and we held onto those readers.

I came at age in the ’60s, and initially my hopes and dreams were invested in politics and the movements of the time – the anti-war movement, the civil rights movement. I worked on Bobby Kennedy’s campaign for president as a teenager in California and the night he was killed.

When you’re kept by a patron you don’t have to duke it out in the media marketplace for dollars and for readers. In some ways that’s a blessing because it takes a lot of pressure off you.

On the other hand, we raised $25 million by going public. It’s that money that we used to build this company, to build the circulation, to build a high profile and to hire staff that made Salon what it is today.

People sort of take it for granted, but the more you see of the media world the more you appreciate a paper like the Times where its family continues to invest in editorial quality and I think it’s the truly is the best paper in the world.