The more highly public life is organized the lower does its morality sink.
Meaning of the quote
The quote suggests that the more organized and structured public life becomes, the less moral and ethical it tends to be. This means that as society becomes more complex and bureaucratic, there is often a decline in moral standards and behavior. The quote suggests that when public life is highly organized, it can lead to a reduction in individual responsibility and a focus on rules and regulations rather than on doing what is right.
About E. M. Forster
E.M. Forster was an acclaimed English author known for his novels like A Room with a View, Howards End, and A Passage to India. He was nominated for the Nobel Prize in Literature 22 times and was honored with various literary awards. Many of his works have been adapted into critically acclaimed films.
More quotes from E. M. Forster
Tolerance is a very dull virtue. It is boring. Unlike love, it has always had a bad press. It is negative. It merely means putting up with people, being able to stand things.
English novelist (1879-1970)
So, two cheers for Democracy: one because it admits variety and two because it permits criticism.
English novelist (1879-1970)
The more highly public life is organized the lower does its morality sink.
English novelist (1879-1970)
The historian must have some conception of how men who are not historians behave. Otherwise he will move in a world of the dead. He can only gain that conception through personal experience, and he can only use his personal experiences when he is a genius.
English novelist (1879-1970)
One always tends to overpraise a long book, because one has got through it.
English novelist (1879-1970)
How can I know what I think till I see what I say?
English novelist (1879-1970)
America is rather like life. You can usually find in it what you look for. It will probably be interesting, and it is sure to be large.
English novelist (1879-1970)
Paganism is infectious, more infectious than diphtheria or piety.
English novelist (1879-1970)
I’m a holy man minus the holiness.
English novelist (1879-1970)
No man can be an agnostic who has a sense of humour.
English novelist (1879-1970)
The sadness of the incomplete, the sadness that is often Life, but should never be Art.
English novelist (1879-1970)
Most quarrels are inevitable at the time; incredible afterwards.
English novelist (1879-1970)
I hate the idea of causes, and if I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
English novelist (1879-1970)
Very notable was his distinction between coarseness and vulgarity, coarseness, revealing something; vulgarity, concealing something.
English novelist (1879-1970)
A poem is true if it hangs together. Information points to something else. A poem points to nothing but itself.
English novelist (1879-1970)
What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
English novelist (1879-1970)
Either life entails courage, or it ceases to be life.
English novelist (1879-1970)
The four characteristics of humanism are curiosity, a free mind, belief in good taste, and belief in the human race.
English novelist (1879-1970)
Love and understand the Italians, for the people are more marvellous than the land.
English novelist (1879-1970)
Life is easy to chronicle, but bewildering to practice.
English novelist (1879-1970)
One marvels why the middle classes still insist on so much discomfort for their children at such expense to themselves.
English novelist (1879-1970)
I am sure that if the mothers of various nations could meet, there would be no more wars.
English novelist (1879-1970)
I have no mystic faith in the people. I have in the individual.
English novelist (1879-1970)
If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
English novelist (1879-1970)
To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way.
English novelist (1879-1970)
If there is on earth a house with many mansions, it is the house of words.
English novelist (1879-1970)
Nonsense and beauty have close connections.
English novelist (1879-1970)
Beethoven’s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man.
English novelist (1879-1970)
Beauty ought to look a little surprised: it is the emotion that best suits her face. The beauty who does not look surprised, who accepts her position as her due – she reminds us too much of a prima donna.
English novelist (1879-1970)
England has always been disinclined to accept human nature.
English novelist (1879-1970)
The final test for a novel will be our affection for it, as it is the test of our friends, and of anything else which we cannot define.
English novelist (1879-1970)
Be soft, even if you stand to get squashed.
English novelist (1879-1970)
Faith, to my mind, is a stiffening process, a sort of mental starch.
English novelist (1879-1970)
But nothing in India is identifiable, the mere asking of a question causes it to disappear or to merge in something else.
English novelist (1879-1970)
Railway termini are our gates to the glorious and the unknown. Through them we pass out into adventure and sunshine, to them, alas! we return.
English novelist (1879-1970)
It is my fate and perhaps my temperament to sign agreements with fools.
English novelist (1879-1970)
History develops, art stands still.
English novelist (1879-1970)
Death destroys a man, but the idea of death saves him.
English novelist (1879-1970)
I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man’s pleasure when they come a cropper.
English novelist (1879-1970)
There lies at the back of every creed something terrible and hard for which the worshipper may one day be required to suffer.
English novelist (1879-1970)
Reverence is fatal to literature.
English novelist (1879-1970)
We are not concerned with the very poor. They are unthinkable, and only to be approached by the statistician or the poet.
English novelist (1879-1970)
I never could get on with representative individuals but people who existed on their own account and with whom it might therefore be possible to be friends.
English novelist (1879-1970)
Think before you speak is criticism’s motto; speak before you think, creation’s.
English novelist (1879-1970)
Surely the only sound foundation for a civilization is a sound state of mind.
English novelist (1879-1970)
I have only got down on to paper, really, three types of people: the person I think I am, the people who irritate me, and the people I’d like to be.
English novelist (1879-1970)
The only books that influence us are those for which we are ready, and which have gone a little farther down our particular path than we have yet got ourselves.
English novelist (1879-1970)
We must be willing to let go of the life we have planned, so as to have the life that is waiting for us.
English novelist (1879-1970)
We cast a shadow on something wherever we stand.
English novelist (1879-1970)
Two cheers for Democracy; one because it admits variety, and two because it permits criticism.
English novelist (1879-1970)
The English countryside, its growth and its destruction, is a genuine and tragic theme.
English novelist (1879-1970)
We are willing enough to praise freedom when she is safely tucked away in the past and cannot be a nuisance. In the present, amidst dangers whose outcome we cannot foresee, we get nervous about her, and admit censorship.
English novelist (1879-1970)
Unless we remember we cannot understand.
English novelist (1879-1970)
No one is India.
English novelist (1879-1970)
Ideas are fatal to caste.
English novelist (1879-1970)
There is much good luck in the world, but it is luck. We are none of us safe. We are children, playing or quarrelling on the line.
English novelist (1879-1970)
Love is always being given where it is not required.
English novelist (1879-1970)
Creative writers are always greater than the causes that they represent.
English novelist (1879-1970)
One is certain of nothing but the truth of one’s own emotions.
English novelist (1879-1970)
The woman who can’t influence her husband to vote the way she wants ought to be ashamed of herself.
English novelist (1879-1970)
I am certainly an ought and not a must.
English novelist (1879-1970)
The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
English novelist (1879-1970)
At night, when the curtains are drawn and the fire flickers, my books attain a collective dignity.
English novelist (1879-1970)
There is something majestic in the bad taste of Italy.
English novelist (1879-1970)
I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.
English novelist (1879-1970)
Only a struggle twists sentimentality and lust together into love.
English novelist (1879-1970)
The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
English novelist (1879-1970)
The main facts in human life are five: birth, food, sleep, love and death.
English novelist (1879-1970)
Logic! Good gracious! What rubbish!
English novelist (1879-1970)
It is the vice of a vulgar mind to be thrilled by bigness.
English novelist (1879-1970)
For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better.
English novelist (1879-1970)
At the side of the everlasting why, is a yes, and a yes, and a yes.
English novelist (1879-1970)
One must be fond of people and trust them if one is not to make a mess of life.
English novelist (1879-1970)
The fact is we can only love what we know personally. And we cannot know much. In public affairs, in the rebuilding of civilization, something less dramatic and emotional is needed, namely tolerance.
English novelist (1879-1970)
The sort of poetry I seek resides in objects man can’t touch.
English novelist (1879-1970)
Spoon feeding in the long run teaches us nothing but the shape of the spoon.
English novelist (1879-1970)
Charm, in most men and nearly all women, is a decoration.
English novelist (1879-1970)
Only people who have been allowed to practise freedom can have the grown-up look in their eyes.
English novelist (1879-1970)
Works of art, in my opinion, are the only objects in the material universe to possess internal order, and that is why, though I don’t believe that only art matters, I do believe in Art for Art’s sake.
English novelist (1879-1970)
We are all like Scheherazade’s husband, in that we want to know what happens next.
English novelist (1879-1970)
Only a writer who has the sense of evil can make goodness readable.
English novelist (1879-1970)
People have their own deaths as well as their own lives, and even if there is nothing beyond death, we shall differ in our nothingness.
English novelist (1879-1970)
What is the good of your stars and trees, your sunrise and the wind, if they do not enter into our daily lives?
English novelist (1879-1970)
The people I respect most behave as if they were immortal and as if society was eternal.
English novelist (1879-1970)
Oxford is Oxford: not a mere receptacle for youth, like Cambridge. Perhaps it wants its inmates to love it rather than to love one another.
English novelist (1879-1970)
One of the evils of money is that it tempts us to look at it rather than at the things that it buys.
English novelist (1879-1970)
Liking one person is an extra reason for liking another.
English novelist (1879-1970)
Letters have to pass two tests before they can be classed as good: they must express the personality both of the writer and of the recipient.
English novelist (1879-1970)
Those who prepared for all the emergencies of life beforehand may equip themselves at the expense of joy.
English novelist (1879-1970)