I hate the Communists and have for many years and don’t feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.

You have no idea how fragile an actor’s self-worth is.

Acting… was the biggest charge I ever had. What other artist has it so good? Approval so quick?

I want to thank the Academy for its courage and generosity.

Stylized acting and direction is to realistic acting and direction as poetry is to prose.

The thing about Brando was that I’d make these directions, and he’d walk away. He’d heard enough… to get the machine going.

I was an outsider… but I was also sympathetic with people that were struggling to get up, because I struggled to get up.

You’ve got to keep fighting – you’ve got to risk your life every six months to stay alive.

When you know what an actor has, you can reach in and arouse it. If you don’t know what he has, you don’t know what the hell is going on.

Very often the Group actor is a critic when he’s acting and an actor when he’s criticizing.

The physical life of the scene is determined by whether the set squeezes people together or whether the set has an escape place in it.

The essence of the stage is concentration and penetration. Of the screen action, movement, sweep.

I was always a self-conscious person.

There was no doubt that there was a vast organization which was making fools of all the liberals in Hollywood and taking their money, that there was a police state among the Left element in Hollywood and Broadway.

Every fighter has one fight that makes or breaks him.

I may be getting old, but not foolish.

Anybody who informs on other people is doing something disturbing and even disgusting.

I was the true future. I understood Communism better than they did.

I would rather do what I did than crawl in front of a ritualistic Left and lie the way those other comrades did betray my own soul.

The writer, when he is also an artist, is someone who admits what others don’t dare reveal.

I didn’t have that much confidence. Maybe it looks that way. I’m glad it does.

I knew the exuberance of playing before an admiring audience and hearing my secret voice.

I truly believe that all power corrupts. Such is probably the thinking behind every political film ever made in Hollywood.

I value peace when it is not bought at the price of fundamental decencies.

You have to remind people of their own struggles. It’s a responsibility.

I’m going to make a film where not one word is really important. I’m going to make it all action.

The more ambivalent you are and the more uncertain you are, then you can get something that you cannot anticipate.

I’ve lost many of my best friends… I’m going to satisfy myself now, not the critics, not even my friends.

Every picture that is successful has one little miracle in it.

To be a member of the Communist Party is to have a taste of the police state. It is a diluted taste but is bitter and unforgettable.

Hey, you must be doin’ good, ’cause I never hear from you.

I gave my life to the Group Theatre, because in it I’m building something for myself. What I build, I am.

You can’t just sit there and do the lines. You have to do something revealing or unusual.

Miller didn’t write Death of a Salesman. He released it. It was there inside him, waiting to be turned loose. That’s the measure of its merit.

I was even superior to the Communists and when they didn’t go along with me, I quit them.

I was taken in by what might be called the Hard Times version of the Communists’ advertising or recruiting technique.

I was the hero of the young insurgent working class art movement.

I wouldn’t go up on a stage now if you paid a thousand dollars for one minute of acting. It’s a nasty experience. You’re up there all by yourself. You’re so damn exposed.

There is only one thing I respect in so-called Broadway actors… and that is their competitive sense.

I was very intense. I think it’s a privilege to be an actor.

I joined the Communist Party late in 1934. I got out a year and a half later.

Whatever hysteria exists is inflamed by mystery, suspicion and secrecy. Hard and exact facts will cool it.

I was not a collective person or a bohemian; I was an elitist.

The first thing you should do with an actor is not sign a contract with him. Take him to dinner. And take him for a walk afterwards.

A film director has to get a shot, no matter what he does. We’re desperate people.

I think there should be collaboration, but under my thumb.

The motion pictures I have made and the plays I have chosen to direct represent my convictions.

I’m small, but I’m neither compliant nor agreeable.

I was both very successful and very left; the living demonstration of how you could be on the left and still be in the gossip columns and be envied for the money you made.

I hate the Communists and have for many years and don’t feel right about giving up my career to defend them. I will give up my film career if it is in the interests of defending something I believe in, but not this.

I spoke without fear of contradiction. I simply did not suffer self-doubt.

I question the value of stars. I think they’re overrated. They get too much money, too much praise.

I like directors who come on the set and create something that’s a little dangerous, difficult or unusual.

I don’t remember anything anybody said in any Jack Ford picture. Nothing happens except action.

What’s called a difficult decision is a difficult decision because either way you go there are penalties.

I said to Tennessee, this thing is becoming the Marlon Brando show.

The Communists automatically violated the daily practices of democracy to which I was accustomed.

I have no spy stories to tell, because I saw no spies. Nor did I understand, at that time, any opposition between American and Russian national interest.

The belief that the good in American society will finally win out… I don’t believe any more.

Our relationship was cursed by the fact that we agreed on everything.

I was not what you’d call a first-class actor, but I did all right.

A good director’s not sure when he gets on the set what he’s going to do.

For years after I resigned, I was still faithful to their way of thinking. But not in the American Communists.

The makers of entertainment must try, in our field, to be honest and grown-up.

I owe Bankhead a gift; she made a director out of me.

The world was like a huge red carpet out ahead of me to be walked on. And it stretched on and on, no end.

I will say nothing to an actor that cannot be translated into action.

I used to spend most of my time straining to be a nice guy so people would like me.