Being non-commercial is never an ambition. Movies come together at different points for fortuitous reasons. You do them as you get the opportunity, as opposed to doing them when you choose to or design to.

When the movie’s done, you talk about either the score or source music over a particular scene, what might work. You just throw a piece of music over the scene, and we both listen to it.

There aren’t reasons why you like this song or this piece of music, or don’t like it. It’s just, it’s either right or wrong, you know?

We haven’t had to defend anything to anybody.

We tend to do period stuff because it helps make it one step removed from boring everyday reality.

Being non-commercial is never an ambition. Movies come together at different points for fortuitous reasons. You do them as you get the opportunity, as opposed to doing them when you choose to or design to.

I mean, Joel talks to the actors more than I do and I probably do production stuff a little more than he does.

We wouldn’t have done it if we didn’t think we could have fun with it.

The mountain music… is compelling music in its own right, harking back to a time when music was a part of everyday life and not something performed by celebrities.