I think when I’m in love, I really am very good with calling, little faxes, and visiting and I really put a lot of effort into it. I’m really not the one that’s not available because of work and I’m very sad when I actually leave.

I’m so uncomfortable, especially in emotional situations, having to say sentences that don’t feel right. As an actor – or really, as any kind of person sensitive to it.

I just want to be able to sit on grass as long as I want to, without anybody telling me to leave. Everything is so restricted, here, in that you actually have to stand behind a line, you can’t go up the Canyon and enjoy the view.

I always performed when I was a child. My parents got very annoyed, because my brother and I had our little bedrooms upstairs, and I would plaster the house with posters with arrows pointing upstairs.

I never consciously said, ‘I want to be an actor.’ It sounds stupid, but it’s kind of like being a painter or something. You don’t say, ‘From today on I’m going to be a painter.’ It’s not something conscious – you’ve just been painting pictures all your life.

I said, ‘Wouldn’t it be great if Matt Damon’s character fell in love with a girl with a real butt?’ They were like, ‘Yeah sure, sure – here’s your personal trainer.’

I think I’m a really good partner and very sensitive to the other person’s feelings. I want somebody else to be comfortable, to understand about my job, and if they want to come on a set and see me work, they always can.

I think when I’m in love, I really am very good with calling, little faxes, and visiting and I really put a lot of effort into it. I’m really not the one that’s not available because of work and I’m very sad when I actually leave.

I don’t like actors who try to talk directors into making their part bigger and that’s really lame.