I’ve heard though that there is a younger generation of tonal French composers who are reacting with vigour.
About Gavin Bryars
Richard Gavin Bryarsis an English composer and double bassist. He has worked in jazz, free improvisation, minimalism, historicism, avant-garde, and experimental music.
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More quotes from Gavin Bryars
Music history has flowed under the bridges for many years.
English composer and double bassist
As I had collaborated with visual artists before whether on installations, on performance pieces, in the context of theatre works and as I had taught for a time in art colleges the idea of writing music in response to painting was not alien.
English composer and double bassist
Somehow in the 20th Century an idea has developed that music is an activity or skill which is not comprehensible to the man in the street. This is an arrogant assertion and not necessarily a true one.
English composer and double bassist
Over the years I have tried to develop something which is technically assured.
English composer and double bassist
It makes sense to invest in new work. It’s almost like having a research department in a scientific laboratory. You have to try things out. You’ll make some bad mistakes. Some things will fail but at least you’ll energise the organisation.
English composer and double bassist
There’s another way of making music, by touching the lives and feelings of ordinary people.
English composer and double bassist
I work very fast, keeping the ideas flowing but making sure they come out the way I intended.
English composer and double bassist
People like Arvo Part would not have been taken seriously 20 years ago.
English composer and double bassist
The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.
English composer and double bassist
I’ve heard though that there is a younger generation of tonal French composers who are reacting with vigour.
English composer and double bassist
I have friends who have a CD mastering plant in Hollywood and they are very sceptical about European record labels’ understanding of digital technology.
English composer and double bassist
Like an apparently strict musical form it breaks the five minute whole into its structural parts – a descriptive preamble, the action of taking the cards, the development of the cards’ manipulation and the revelation of what has been achieved.
English composer and double bassist
I know that John Adams has had a very hard time directing French ensembles.
English composer and double bassist
Craft is part of the creative process.
English composer and double bassist
Still, American composers working in France have had a pretty hard time.
English composer and double bassist
Writing tonal music now, you are not writing into the 19th Century.
English composer and double bassist
The academic area of new music or modern music festivals is not something which attracts me at all.
English composer and double bassist
It’s rather like attending a university seminar where you are talking to a few gifted specialists who deliver a paper to an audience of their peers. That’s one way of making music.
English composer and double bassist
I am writing something which I find satisfying and which I am prepared to put my name to as a composer.
English composer and double bassist
Similarly you can make a transition from one set of instruments to another imperceptibly.
English composer and double bassist
I currently spend a lot of time thinking about orchestration and every detail of a piece.
English composer and double bassist
I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.
English composer and double bassist
One thing I’m doing on the new Titanic recording is actually bringing in different acoustic spaces.
English composer and double bassist
When Philip Glass asked me if I would be interested in doing a new recording of Jesus’ Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
English composer and double bassist
What was once underground is now coming to the surface.
English composer and double bassist