I learned quickly at Columbia that the only eye that mattered was the one on the camera.
Meaning of the quote
As a young actress studying at Columbia University, Gene Tierney realized that the most important thing was not how she looked in real life, but how she appeared in front of the camera. The camera's lens became the only 'eye' that truly mattered, as it would capture her performance and determine how the audience perceived her.
About Gene Tierney
Gene Tierney was an acclaimed American film and stage actress known for her great beauty and leading lady roles. She received an Academy Award nomination for her performance in the 1945 film Leave Her to Heaven and was best known for her portrayal of the title character in the 1944 film Laura.
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More quotes from Gene Tierney
Eccentric behavior is not routinely noticed around a movie set.
American actress (1920-1991)
It was the fashion of the time, still is, to feel that all actors are neurotic, or they would not be actors.
American actress (1920-1991)
My mother would not talk to me for weeks, would not stay under my roof for as long as I was married to Oleg.
American actress (1920-1991)
I followed the same diet for 20 years, eliminating starches, living on salads, lean meat, and small portions.
American actress (1920-1991)
What a different world it was when I first sailed for Europe in 1930, with my mother, sister, and brother to spend six months abroad.
American actress (1920-1991)
Children don’t understand about people loving each other and then suddenly not.
American actress (1920-1991)
The main cause of my difficulties stemmed from the tragedy of my daughter’s unsound birth and my inability to face my feelings.
American actress (1920-1991)
Throughout my career, I was to be cast as a frontier girl, an aristocrat, an Arabian, a Eurasian, a Polynesian, and a Chinese.
American actress (1920-1991)
The Howard Hughes I knew began to change after his plane crash in 1941.
American actress (1920-1991)
Some women feel the best cure for a broken heart is a new beau.
American actress (1920-1991)
I hole up now and then and do nothing for days but read.
American actress (1920-1991)
I dated dozens of young men, had fun with all, made commitments to none.
American actress (1920-1991)
Unlike the stage, I never found it helpful to be good in a bad movie.
American actress (1920-1991)
I needed to be accepted, not humored. I intended to act.
American actress (1920-1991)
In later years, I craved foods that were almost always fattening.
American actress (1920-1991)
I was fortunate enough to work under directors who were, most of them, brilliant, emotional men.
American actress (1920-1991)
As an actress, I was trained to show emotion I did not feel, or no emotion at all.
American actress (1920-1991)
Hollywood can be hard on women, but it did not cause my problems.
American actress (1920-1991)
I had been offered a Hollywood contract before my 18th birthday. It gave me the spark I needed.
American actress (1920-1991)
I loved to eat. For all of Hollywood’s rewards, I was hungry for most of those 20 years.
American actress (1920-1991)
I was going to live on my salary or go down swinging.
American actress (1920-1991)
Wealth, beauty, and fame are transient. When those are gone, little is left except the need to be useful.
American actress (1920-1991)
When I met Jack Kennedy, he was a serious young man with a dream. He was not a womanizer, not as I understood the term.
American actress (1920-1991)
I always tried to play my hunches.
American actress (1920-1991)
I was not cut out to be a rebel.
American actress (1920-1991)
I ask myself: Would I have been any worse off if I had stayed home or lived on a farm instead of shock treatments and medication?
American actress (1920-1991)
I do not recall spending long hours in front of a mirror loving my reflection.
American actress (1920-1991)
It is difficult to write about any form of mental disease, especially your own, without sounding as if you were examining a bug under glass.
American actress (1920-1991)
I had known Cole Porter in Hollywood and New York, spent many a warm hour at his home, and met the talented and original people who were drawn to him.
American actress (1920-1991)
In the months leading up to World War II, there was a tendency among many Americans to talk absently about the trouble in Europe. Nothing that happened an ocean away seemed very threatening.
American actress (1920-1991)
My departure from Hollywood was described as a walk-out. No one understood that I was cracking up.
American actress (1920-1991)
When my mood was high, I seemed normal, even buoyant. I felt smarter. I had secrets. I could see God in a light bulb.
American actress (1920-1991)
About my career I was serious and earnest, sometimes impatient.
American actress (1920-1991)
I’m not sure I can explain the nature of Jack Kennedy’s charm, but he took life just as it came.
American actress (1920-1991)
I was plunged into what was known as the debutante social whirl. This was one of the ways fathers justified their own hard work and sacrifices.
American actress (1920-1991)
I am not the kind of woman who excuses her mistakes while reminding us of what used to be.
American actress (1920-1991)
There were days that I worked all the time, without a layoff, or a rest, finishing one picture and reporting for another sometimes on the same day.
American actress (1920-1991)
I approached everything, my job, my family, my romances, with intensity.
American actress (1920-1991)
Life is a little like a message in a bottle, to be carried by the winds and the tides.
American actress (1920-1991)
I simply did not want my face to be my talent.
American actress (1920-1991)
Everyone should see Hollywood once, I think, through the eyes of a teenage girl who has just passed a screen test.
American actress (1920-1991)
For years it never occurred to me to question the judgment of those in charge at the studio.
American actress (1920-1991)
I had no romantic interest in Gable. I considered him an older man.
American actress (1920-1991)
In my early days in Hollywood I tried to be economical. I designed my own clothes, much to my mother’s distress.
American actress (1920-1991)
I admire anyone who rids himself of an addiction.
American actress (1920-1991)
I remember the 1940s as a time when we were united in a way known only to that generation. We belonged to a common cause-the war.
American actress (1920-1991)
I used up every cent I earned as an actress.
American actress (1920-1991)
Cars, furs, and gems were not my weaknesses.
American actress (1920-1991)
Day after day, I spent long afternoons in the talent pool, being told how to walk, how to talk, how to sit.
American actress (1920-1991)
Houses are one of my passions. I probably should have been an interior decorator.
American actress (1920-1991)
The Hollywood structure was monopolistic, run by four or five big studios.
American actress (1920-1991)
I have a role now that I think becomes me. I am a grandmother.
American actress (1920-1991)
Fonda and Gary Cooper had the best sense of timing of all the actors I knew.
American actress (1920-1991)
I learned quickly at Columbia that the only eye that mattered was the one on the camera.
American actress (1920-1991)
Jealousy is, I think, the worst of all faults because it makes a victim of both parties.
American actress (1920-1991)
When you have spent an important part of your life playing Let’s Pretend, it’s often easy to see symbolism where none exists.
American actress (1920-1991)
Chaplin was notoriously strict with his sons and rarely gave them spending money.
American actress (1920-1991)
I used to annoy my father by telling him how much I felt luck was with me.
American actress (1920-1991)
Rehearsals and screening rooms are often unreliable because they can’t provide the chemistry between an audience and what appears on the stage or screen.
American actress (1920-1991)
We cannot calculate the numbers of people who left, fled or were fished out of Europe just ahead of the Holocaust.
American actress (1920-1991)
Those who become mentally ill often have a history of chronic pain.
American actress (1920-1991)
I was fine when it came to cheering up others, not so fine with myself.
American actress (1920-1991)
Trying to make order out of my life was like trying to pick up a jellyfish.
American actress (1920-1991)
The word actress has always seemed less a job description to me than a title.
American actress (1920-1991)
Men are wonderful. I adore them. They always give you the benefit of the doubt.
American actress (1920-1991)
I knew I could not cope with the future unless I was able to rediscover the past.
American actress (1920-1991)
I existed in a world that never is – the prison of the mind.
American actress (1920-1991)