Criticism is the art of appraising others at one’s own value.
About George Jean Nathan
George Jean Nathanwas an American drama critic and magazine editor. He worked closely with H. L. Mencken, bringing the literary magazine The Smart Set to prominence as an editor, and co-founding and editing The American Mercury and The American Spectator.
More quotes from George Jean Nathan
So long as there is one pretty girl left on the stage, the professional undertakers may hold up their burial of the theater.
American drama critic and magazine editor (1882-1958)
Love is the emotion that a woman feels always for a poodle dog and sometimes for a man.
American drama critic and magazine editor (1882-1958)
What passes for woman’s intuition is often nothing more than man’s transparency.
American drama critic and magazine editor (1882-1958)
No man can think clearly when his fists are clenched.
American drama critic and magazine editor (1882-1958)
A man’s wife is his compromise with the illusion of his first sweetheart.
American drama critic and magazine editor (1882-1958)
Criticism is the art of appraising others at one’s own value.
American drama critic and magazine editor (1882-1958)
Women, as they grow older, rely more and more on cosmetics. Men, as they grow older, rely more and more on a sense of humor.
American drama critic and magazine editor (1882-1958)
A life spent in constant labor is a life wasted, save a man be such a fool as to regard a fulsome obituary notice as ample reward.
American drama critic and magazine editor (1882-1958)
Politics is the diversion of trivial men who, when they succeed at it, become important in the eyes of more trivial men.
American drama critic and magazine editor (1882-1958)
A man admires a woman not for what she says, but what she listens to.
American drama critic and magazine editor (1882-1958)
Patriotism is often an arbitrary veneration of real estate above principles.
American drama critic and magazine editor (1882-1958)
Beauty makes idiots sad and wise men merry.
American drama critic and magazine editor (1882-1958)
The path of sound credence is through the thick forest of skepticism.
American drama critic and magazine editor (1882-1958)
It is only the cynicism that is born of success that is penetrating and valid.
American drama critic and magazine editor (1882-1958)
Love demands infinitely less than friendship.
American drama critic and magazine editor (1882-1958)
A man reserves his true and deepest love not for the species of woman in whose company he finds himself electrified and enkindled, but for that one in whose company he may feel tenderly drowsy.
American drama critic and magazine editor (1882-1958)
Criticism is the windows and chandeliers of art: it illuminates the enveloping darkness in which art might otherwise rest only vaguely discernible, and perhaps altogether unseen.
American drama critic and magazine editor (1882-1958)
I drink to make other people interesting.
American drama critic and magazine editor (1882-1958)
Bad officials are the ones elected by good citizens who do not vote.
American drama critic and magazine editor (1882-1958)
To speak of morals in art is to speak of legislature in sex. Art is the sex of the imagination.
American drama critic and magazine editor (1882-1958)
An optimist is a fellow who believes a housefly is looking for a way to get out.
American drama critic and magazine editor (1882-1958)
I know many married men, I even know a few happily married men, but I don’t know one who wouldn’t fall down the first open coal hole running after the first pretty girl who gave him a wink.
American drama critic and magazine editor (1882-1958)
An actor without a playwright is like a hole without a doughnut.
American drama critic and magazine editor (1882-1958)
Love is an emotion experienced by the many and enjoyed by the few.
American drama critic and magazine editor (1882-1958)
The test of a real comedian is whether you laugh at him before he opens his mouth.
American drama critic and magazine editor (1882-1958)
I have yet to find a man worth his salt in any direction who did not think of himself first and foremost.
American drama critic and magazine editor (1882-1958)
It is also said of me that I now and then contradict myself. Yes, I improve wonderfully as time goes on.
American drama critic and magazine editor (1882-1958)
Great art is as irrational as great music. It is mad with its own loveliness.
American drama critic and magazine editor (1882-1958)
Common sense, in so far as it exists, is all for the bourgeoisie. Nonsense is the privilege of the aristocracy. The worries of the world are for the common people.
American drama critic and magazine editor (1882-1958)
Whenever a man encounters a woman in a mood he doesn’t understand, he wants to know if she’s tired.
American drama critic and magazine editor (1882-1958)