It’s not any desire on my part to start playing dads, but it’s a convention of drama. If you don’t get the parts of young people going out to nightclubs, you have to play their fathers.
Meaning of the quote
As an actor, Ian Hart explains that he doesn't necessarily want to play the role of a father, but it's something that often happens in plays and movies. If he can't get the parts of young people going out and having fun, he has to take on the role of their father instead. It's just how the acting world works, even if it's not what he prefers.
About Ian Hart
Ian Hart, born on October 8, 1964, is an English actor known for his roles in films like One Summer, Backbeat, and Michael Collins. He has also portrayed Professor Quirrell in Harry Potter and the Philosopher’s Stone, Ludwig van Beethoven in Eroica, and Father Beocca in The Last Kingdom.
More quotes from Ian Hart
Not being able to work would make me very unhappy.
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Everyone should be good at what they do.
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I just wanna build momentum again. Keeping yourself in work is one thing, keeping yourself in good work’s another. But if it doesn’t work out, so be it. As the Taoists say, Learn to accept that which you cannot change.
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I’m not usually attracted to big-budget American films.
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It’s not any desire on my part to start playing dads, but it’s a convention of drama. If you don’t get the parts of young people going out to nightclubs, you have to play their fathers.
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I was relatively technically adept. I can edit and wire up a light.
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I hate auditions – when I’m doing them, I can’t wait to get out the bleeding door.
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I’m belligerent rather than ambitious.
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When you get to 15 and most of your teachers are priests, there’s bound to be a conflict.
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We tend to think about fascism in terms of the Second World War.
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There’s a statistical theory that if you gave a million monkeys typewriters and set them to work, they’d eventually come up with the complete works of Shakespeare. Thanks to the Internet, we now know this isn’t true.
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I need something to do when I’m not working, or I crawl up the walls. So I’ve just taken up kung fu. I was looking for some kind of calming, relaxing activity. I tried yoga, but it wasn’t really me.
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Even before my audition, there were several pages missing from my script because those bits were so unbelievably secret not even I was allowed to see them.
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I don’t know how to construct a career that’ll make me famous. Except maybe get my ears pinned back, get my teeth done, and go to America. But then I’ll be competing with billions of actors who haven’t got false teeth, and who are 25.
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You learn more doing than doing training.
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I just want to be rich and famous.
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My philosophy was, if I just do good work, someone will like it enough to employ me. It never made me famous. And I’m way, way too old now, mate. That boat’s sailed.
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Most good roles are written for young men. We are fixated on youth. So however much people say there is nothing wrong with being bald, the reality is once the hair is gone, you might not get the parts.
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I’ve only used my own voice about four times on film.
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I’m still working, I’ve got two arms, two legs, two gorgeous kids, a lovely wife. Fifteen years ago, I was homeless. So when you think about it, I’m lucky.
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That’s what I like about Neil Jordan’s films: everyone is better at what they do than you are.
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Well, put it like this, if you’re not a kid, you’re a wizard.
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