I grew up in an era where an orchestra was like a treasure chest.
About James Levine
James Lawrence Levine was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016.
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More quotes from James Levine
I grew up in an era where an orchestra was like a treasure chest.
American conductor and pianist
It wasn’t that I ever knew I’d be at the Met for 20 years, or 30 years, or 40 years, or anything like that.
American conductor and pianist
It was just that we had this phenomenal honeymoon relationship that just kept on going.
American conductor and pianist
The invisible dilemma is that men face the very real problem that they don’t feel comfortable bringing these issues up and they tend not to be acknowledged at work.
American conductor and pianist
Second, if you’re the boss, just because they don’t ask doesn’t mean your employees don’t have needs.
American conductor and pianist
There is no relationship between the gestures and what an orchestra will do.
American conductor and pianist
And, over the last thirty years we have seen men’s participation in both housework and childcare has increased and women’s have stayed at about the same.
American conductor and pianist
I was lucky that I met the right mentors and teachers at the right moment.
American conductor and pianist
More and more couples are having this negotiation or discussion, but I’m still amazed at the number who aren’t and where the cultural norm sort of kicks in and they just assume that mom’s got to be the one who stays home, not dad.
American conductor and pianist
And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.
American conductor and pianist
Where my tastes in music are concerned, I’m a real maximalist.
American conductor and pianist
You try on purpose to get players with different qualities which will rub off on one another.
American conductor and pianist
Art has never been a popularity contest.
American conductor and pianist
At my age, you are naturally inclined towards teaching.
American conductor and pianist
I think this orchestra’s strengths involve drama and voice.
American conductor and pianist
Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.
American conductor and pianist
I can imagine wanting to work with this ensemble and this company always.
American conductor and pianist
We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.
American conductor and pianist
It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is – like Verdi said – working with a file, every day, little by little, until the orchestra’s collective qualities emerge.
American conductor and pianist
Women tend to have recognition and peer group support – recognition from friends and family that this has to be a big issue in their lives. They’re more comfortable expressing the need for support and receiving it.
American conductor and pianist
If you factor in not just who’s doing what at home, but how much more time working fathers are spending on work outside the home, on average they spend two hours more per day outside the home.
American conductor and pianist
I have a big problem with conductors who gesture a lot.
American conductor and pianist
They’ve really got to recognize that all of us bring some of our family issues to work and our work home.
American conductor and pianist
I thought I’d write one book and the world would change overnight.
American conductor and pianist
A lot of people get impatient with the pace of change.
American conductor and pianist
We’re in the midst of an evolution, not a revolution.
American conductor and pianist
It’s just that, when the orchestra look at me, I want them to see a completely involved person who reflects what we rehearsed, and whose function is to make it possible for them to do it.
American conductor and pianist
What’s interesting is that both men and women are struggling with this issue in remarkably similar percentages, but the big difference is that women tend to talk about this when men keep it silent.
American conductor and pianist
Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.
American conductor and pianist
As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.
American conductor and pianist
So, the total number of hours spent on the stuff you have to do to take care of a family, working and caring for stuff at home, the total number of hours is actually about the same for mothers and fathers.
American conductor and pianist
We do not seem to be finding tomorrow’s Toscas.
American conductor and pianist
Employee fathers need to step up to the plate and put their family needs on the table.
American conductor and pianist
My hunch is that probably men are doing more both outside the home and inside the home.
American conductor and pianist
When they are performing in front of the public, they ought to have a sensation that’s relatively easy, if the technical and the interpretive work was done before.
American conductor and pianist
But the important thing is to lie down and fall asleep. That little nap means you wake up fresh again and can continue.
American conductor and pianist
Everybody blames the culture without taking responsibility.
American conductor and pianist
Most people treat the office manual the way they treat a software manual. They never look at it.
American conductor and pianist