I grew up in an era where an orchestra was like a treasure chest.

About James Levine

James Lawrence Levine was an American conductor and pianist. He was music director of the Metropolitan Opera from 1976 to 2016.

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I grew up in an era where an orchestra was like a treasure chest.

James Levine

American conductor and pianist

It wasn’t that I ever knew I’d be at the Met for 20 years, or 30 years, or 40 years, or anything like that.

James Levine

American conductor and pianist

It was just that we had this phenomenal honeymoon relationship that just kept on going.

James Levine

American conductor and pianist

The invisible dilemma is that men face the very real problem that they don’t feel comfortable bringing these issues up and they tend not to be acknowledged at work.

James Levine

American conductor and pianist

Second, if you’re the boss, just because they don’t ask doesn’t mean your employees don’t have needs.

James Levine

American conductor and pianist

There is no relationship between the gestures and what an orchestra will do.

James Levine

American conductor and pianist

And, over the last thirty years we have seen men’s participation in both housework and childcare has increased and women’s have stayed at about the same.

James Levine

American conductor and pianist

I was lucky that I met the right mentors and teachers at the right moment.

James Levine

American conductor and pianist

More and more couples are having this negotiation or discussion, but I’m still amazed at the number who aren’t and where the cultural norm sort of kicks in and they just assume that mom’s got to be the one who stays home, not dad.

James Levine

American conductor and pianist

And so, little by little, I gradually divested myself of pretty nearly all of the guest conducting I used to do, because I was at the same time working in the places like the Met, where I could work in this sort of depth.

James Levine

American conductor and pianist

Where my tastes in music are concerned, I’m a real maximalist.

James Levine

American conductor and pianist

You try on purpose to get players with different qualities which will rub off on one another.

James Levine

American conductor and pianist

Art has never been a popularity contest.

James Levine

American conductor and pianist

At my age, you are naturally inclined towards teaching.

James Levine

American conductor and pianist

I think this orchestra’s strengths involve drama and voice.

James Levine

American conductor and pianist

Great cataclysmic things can go by and neither the orchestra nor the conductor are under the delusion that whether they make this or that gesture is going to be the deciding factor in how it comes out.

James Levine

American conductor and pianist

I can imagine wanting to work with this ensemble and this company always.

James Levine

American conductor and pianist

We found that when people put this issue on the table, it turns out that men acknowledge the issue, and employers and employees can work out solutions just as working mothers do.

James Levine

American conductor and pianist

It has to be able to play at the maximum expression and communication in every style, and the only way you can do that is – like Verdi said – working with a file, every day, little by little, until the orchestra’s collective qualities emerge.

James Levine

American conductor and pianist

Women tend to have recognition and peer group support – recognition from friends and family that this has to be a big issue in their lives. They’re more comfortable expressing the need for support and receiving it.

James Levine

American conductor and pianist

If you factor in not just who’s doing what at home, but how much more time working fathers are spending on work outside the home, on average they spend two hours more per day outside the home.

James Levine

American conductor and pianist

I have a big problem with conductors who gesture a lot.

James Levine

American conductor and pianist

They’ve really got to recognize that all of us bring some of our family issues to work and our work home.

James Levine

American conductor and pianist

I thought I’d write one book and the world would change overnight.

James Levine

American conductor and pianist

A lot of people get impatient with the pace of change.

James Levine

American conductor and pianist

We’re in the midst of an evolution, not a revolution.

James Levine

American conductor and pianist

It’s just that, when the orchestra look at me, I want them to see a completely involved person who reflects what we rehearsed, and whose function is to make it possible for them to do it.

James Levine

American conductor and pianist

What’s interesting is that both men and women are struggling with this issue in remarkably similar percentages, but the big difference is that women tend to talk about this when men keep it silent.

James Levine

American conductor and pianist

Working mothers do an hour more per day than working fathers do and working mothers do on average an hour more per day with the kids than working fathers do.

James Levine

American conductor and pianist

As major orchestras around the world are gripped in various kinds of crises and upheaval, we need to be sure that we are bringing up this new generation.

James Levine

American conductor and pianist

So, the total number of hours spent on the stuff you have to do to take care of a family, working and caring for stuff at home, the total number of hours is actually about the same for mothers and fathers.

James Levine

American conductor and pianist

We do not seem to be finding tomorrow’s Toscas.

James Levine

American conductor and pianist

Employee fathers need to step up to the plate and put their family needs on the table.

James Levine

American conductor and pianist

My hunch is that probably men are doing more both outside the home and inside the home.

James Levine

American conductor and pianist

When they are performing in front of the public, they ought to have a sensation that’s relatively easy, if the technical and the interpretive work was done before.

James Levine

American conductor and pianist

But the important thing is to lie down and fall asleep. That little nap means you wake up fresh again and can continue.

James Levine

American conductor and pianist

Everybody blames the culture without taking responsibility.

James Levine

American conductor and pianist

Most people treat the office manual the way they treat a software manual. They never look at it.

James Levine

American conductor and pianist