You can kind of feel when things are going to work out.

You never really know until you put the movie in front of an audience. I am a big advocate of screenings, which are getting harder and harder to do nowadays.

I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.

I like to have fun and be funny, but I’m much more of a thinker.

The pressures having grown up in this business can be really rough. And it is a testament to you that you have remained focused and NOT lost your mind.

I enjoy the character interplay. Sometimes the audience is not laughing, but smiling, and that is almost just as good because it keeps them ready to laugh.

I always prefer the big laugh. That is always the objective, especially with a film like Scary Movie 2.

Slot machines are like crack for old people.

All I need is a camera and I’ll make things happen.

I put heavy emphasis on the characters.

I throw it all in there, Kung Fu, blaxploitation, horror.

We’ve seen so many films now, that you have to be on par with the best films that have preceded you. You just can’t make any movie and it will be good.

I’m just calm under fire. I’m not intimidating at all.

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

I put the cameras on her and told her to be obnoxious as she could possibly could be. She was.

Creativity is the answer. I always prefer the creative solution to an expensive solution.

My brothers can be a little out of control sometimes and so somebody has to be able to keep them focused.

You can kind of feel when things are going to work out.

You do what it takes. It was on me to deliver.

It’s rare that you cut out something that is really good. You screen all of it, and when the audience doesn’t respond, you cut out whatever is holding the story down.

I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they’re in the screen.

I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn’t really suit me; the mind-set that money is the answer.

It’s the teenage and university crowd, so we give them lots of sex jokes and gross humour.

Just making a good movie is hard to do.

In rare instances you have to give up what you thought was a great scene.

This is really a difficult time to be in films.

You just can’t make any movie and it will be good now. This is a really a difficult time to be in films.

I’m not on all the time. I like to have fun and be funny, but I’m much more of a thinker.

We do nods to Charlie’s Angels and Mission Impossible because they are popular with our fan base.

I have been a director who has starred, participated on both sides of the filmmaking process.