Unimaginative people are spared quite a lot. They’re often much happier, because they don’t go through all the variety of conceptions of the person they love.
About Mary Wesley
Mary Aline Siepmann CBE (24 June 1912 – 30 December 2002), known by the pen name Mary Wesley, was an English novelist. During her career, she was one of Britain’s most successful novelists, selling three million copies of her books, including ten bestsellers in the last twenty years of her life.
More quotes from Mary Wesley
I found out only recently that we were making an index of enemy code signs.
English novelist (1912-2002)
I don’t write for any particular kind of person.
English novelist (1912-2002)
It was pretty awful for us children because we never really knew the local children. Mother was keen for us to learn languages, so our travels took us to France and Italy, as well as the West Country.
English novelist (1912-2002)
In my eighties, my best friends are in their fifties, and I have many friends at university. It keeps one young, and up with the vocabulary. That’s terribly important, especially for a writer.
English novelist (1912-2002)
You know what it’s like to persuade a pigheaded child to do something they don’t want to. If they hear the same suggestion from someone else, they’ll go right off and do it.
English novelist (1912-2002)
I have a garden, and I’m passionately interested in young people.
English novelist (1912-2002)
Looking back, I understand that I was teaching myself to write.
English novelist (1912-2002)
My first husband would never make up his mind in less than five years, so I used to get him to think that whatever course of action needed to be taken was his idea. Then he’d go right ahead.
English novelist (1912-2002)
They may turn out to be a great disappointment, or perhaps they may be full of enchanting surprises.
English novelist (1912-2002)
Unimaginative people are spared quite a lot. They’re often much happier, because they don’t go through all the variety of conceptions of the person they love.
English novelist (1912-2002)
Writing Part of the Scenery has been a very different experience. I have been reminded of people and events, real and imaginary which have been part of my life. This book is a celebration of the land which means so much to me.
English novelist (1912-2002)
A lot of people stop short. They don’t actually die but they say, ‘Right I’m old, and I’m going to retire,’ and then they dwindle into nothing. They go off to Florida and become jolly boring.
English novelist (1912-2002)
I have deliberately left Sylvester and Julia’s appearances to the reader’s imagination.
English novelist (1912-2002)
People try much less hard to make a marriage work than they used to fifty years ago. Divorce is easier.
English novelist (1912-2002)
My father was a soldier and my mother was a great mover. She once counted up how many places she had lived in during the first 25 years of her marriage and it came to 20.
English novelist (1912-2002)
I remember the evacuee children from towns and cities throwing stones at the farm animals. When we explained that if you did that you wouldn’t have any milk, meat or eggs, they soon learned to respect the animals.
English novelist (1912-2002)
It seemed sensible to move to a market town where I could walk everywhere.
English novelist (1912-2002)
That image of the countryside being a threatening place still exists. People continue to resist the challenge of learning about aspects of life they don’t understand.
English novelist (1912-2002)
I never really know the title of a book until it’s finished.
English novelist (1912-2002)
Rebecca is an example of how not to manage men. The rules of the game never change, it requires subtlety.
English novelist (1912-2002)
Imagination which comes into play in falling in love is different from any other. Certainly in my case, and I’ve fallen in love all my life, one imagines the person to be as you want them to be. They frequently turn out to be someone different, for better or worse.
English novelist (1912-2002)
Each marriage has to be judged separately, and we never know what’s going on in another person’s marriage.
English novelist (1912-2002)
Women’s courage is rather different from men’s. The fact that women have to bring up children and look after husbands makes them braver at facing long-term issues, such as illness. Men are more immediately courageous. Lots of people are brave in battle.
English novelist (1912-2002)
We’re all like children. We may think we grow up, but to me, being grown up is death, stopping thinking, trying to find out things, going on learning.
English novelist (1912-2002)
Twenty years ago, I was living in a lovely cottage on the edge of Dartmoor but I couldn’t afford to run a car.
English novelist (1912-2002)
Of course risk-taking does not always pay off, but it’s a lot of fun!
English novelist (1912-2002)
I was sent to a finishing school, which didn’t last long when mother found out how badly chaperoned we were. Then I ‘came out’ before going to a domestic science school.
English novelist (1912-2002)
We all lie to each other, present some sort of front.
English novelist (1912-2002)
I always read that men don’t like intelligent girls, but I’ve always found the reverse.
English novelist (1912-2002)