Laughter is, after speech, the chief thing that holds society together.
About Max Eastman
Max Forrester Eastmanwas an American writer on literature, philosophy, and society, a poet, and a prominent political activist. Moving to New York City for graduate school, Eastman became involved with radical circles in Greenwich Village.
More quotes from Max Eastman
A poet in history is divine, but a poet in the next room is a joke.
American writer (1883-1969)
It is art that makes life, makes interest, makes importance and I know of no substitute whatever for the force and beauty of its process.
American writer (1883-1969)
A smile is the universal welcome.
American writer (1883-1969)
The worst enemy of human hope is not brute facts, but men of brains who will not face them.
American writer (1883-1969)
People who demand neutrality in any situation are usually not neutral but in favor of the status quo.
American writer (1883-1969)
A liberal mind is a mind that is able to imagine itself believing anything.
American writer (1883-1969)
Dogs laugh, but they laugh with their tails.
American writer (1883-1969)
Laughter is, after speech, the chief thing that holds society together.
American writer (1883-1969)
Humor is the instinct for taking pain playfully.
American writer (1883-1969)
The defining function of the artist is to cherish consciousness.
American writer (1883-1969)
I don’t know why it is we are in such a hurry to get up when we fall down. You might think we would lie there and rest for a while.
American writer (1883-1969)
Emotion is the surest arbiter of a poetic choice, and it is the priest of all supreme unions in the mind.
American writer (1883-1969)
A joke is not a thing but a process, a trick you play on the listener’s mind. You start him off toward a plausible goal, and then by a sudden twist you land him nowhere at all or just where he didn’t expect to go.
American writer (1883-1969)
It is the ability to take a joke, not make one, that proves you have a sense of humor.
American writer (1883-1969)
Robert Benchley has a style that is weak and lies down frequently to rest.
American writer (1883-1969)
Classic art was the art of necessity: modern romantic art bears the stamp of caprice and chance.
American writer (1883-1969)