You know, you don’t please everybody.
About Ronnie Montrose
Ronald Douglas Montrosewas an American musician and guitarist who founded and led the rock bands Montrose and Gamma. He also performed and did session work with a variety of musicians, including Van Morrison, Herbie Hancock, Beaver & Krause, Boz Scaggs, Edgar Winter, Gary Wright, The Beau Brummels, Dan Hartman, Tony Williams, The Neville Brothers, Marc Bonilla and Sammy Hagar.
More quotes from Ronnie Montrose
I was too broke to buy a guitar so I more borrowed guitars from friends.
American guitarist (1947-2012)
It was very satisfying knowing I could come in not really knowing what I was going to do, and at the end of the session feeling that I’d really done interesting guitar work and knowing that I’d really contributed to the music.
American guitarist (1947-2012)
You know, you don’t please everybody.
American guitarist (1947-2012)
Gamma was a logical progression after doing the Open Fire record.
American guitarist (1947-2012)
Attempting to write vocal oriented songs to me felt like going through the motions and if you are going to go through the motions you might as well just do any gig that caused you to do repetitive motions like banging a hammer or serving fries.
American guitarist (1947-2012)
I was producing demos for a band that was called Physical Ed. Out of production of demos I went and did a few jam sessions with then in Northern California clubs, but I never actually toured with them.
American guitarist (1947-2012)
I would say seeing the original Yardbirds with Jeff Beck and Jimmy Page at the old Fillmore was a pretty powerful influence on me.
American guitarist (1947-2012)
I don’t recall getting a first guitar.
American guitarist (1947-2012)
I was working with Bill Graham management at the time and it was obvious to everyone concerned that albums like Open Fire, while they were good for me creatively, were not going to be commercially successful.
American guitarist (1947-2012)
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
American guitarist (1947-2012)
I’m pursuing soundtrack work in the southern California area and down the line I plan to make a moody, intense acoustic album. Not all acoustic, but an acoustic – oriented guitar record that I’ve already written most of the material for.
American guitarist (1947-2012)
Because it was the original 4 guys, and the dynamic of those 4 guys interacting together that had the power.
American guitarist (1947-2012)
But it has been a long process because I’m kind of a renaissance person.
American guitarist (1947-2012)
I was following my muse and I was very fortunate in having good people around me and it turned out to be a pretty good recording in my opinion.
American guitarist (1947-2012)
I shared guitars before I actually got one of my own and played a guy’s Silver tone and played another guys Danelectro 12 string and it was at about age 17 that I actually started playing.
American guitarist (1947-2012)