The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

A lot of times you’re just conditioned by what’s around you.

I decided we should book ourselves, so I started booking the band.

I was born in Panama, the Republic of Panama, on July 16, 1948 in Panama City, in an area called San Felipe.

You know, it was uncomfortable doing the same thing. I don’t like a rut.

In those days the big U.S. labels didn’t have any particular interest in the Latin market.

I didn’t do drugs, I never did do drugs. Never. I don’t have any story of drugs, you know, to speak of. Never did drugs, never was interested in drugs and then I wasn’t interested in the people around the drugs.

So that when I came from Panama… my family was exiled in 1973 and they went to Miami.

Rock is young music, it is youth oriented. It just speaks for a generation.

I was a kid, and I remember my mother singing. She was also a radio soap opera actress, but my mother sang.

I think we risk becoming the best informed society that has ever died of ignorance.

And music was a very important part of our lives. The radio was on all day.

Yes, I was going to law school and it was closed in ’69.

We had something to say. Whenever we played, people didn’t dance, they listened.

What I do not accept is the fact that so many people’s talents were ripped off.

There was no television, so the radio provided you with everything.

It’s almost as if people think that in Latin America we’re not hip to what’s happening here.

I was the first person to come into New York with a Latin American point of view which was also very much influenced by political happenings in Latin America.

What is interesting in this is the exchange of music that occurred between New Orleans and Cuba, I mean, they had ferries that would go from one port to another.

Every band had their own distinctive sound, but it was pretty much dancing music and rhythmic music with a tremendous emphasis on copying the Cuban models.

It doesn’t make sense for me to be a lawyer in a place where there is no law.

People are a lot smarter than anyone gives them credit for being.

But, when I was about thirteen, I began to sort of sing in my neighborhood.

So that in 1974, when I graduated as a lawyer, I figured I’m not going to be a lawyer under a military regime.

So that I saw music as a way of documenting realities from the urban cities of Latin America.

So I went to Miami in ’74 with my family and while I was there it became obvious that we needed money and we needed to do something, because my family, we left without anything really, and we didn’t have any money to begin with.

So that when I came to New York again, it was, I’m not too sure right now, but it was ’74 or ’75. I went to Miami in ’74 and then I came to New York, I think, at the end of ’74.

I think in New York we had respect and we would pretty much fill up the places where we went, but I never got the sense that we really were Number 1 here in New York among the Latin crowds.

Anywhere you had a commerce center, you had a lot of music.

The grandmother, the mother, the worker, the student, the intellectual, the professional, the unemployed, everybody identified with the songs because they were descriptions of life in the city.

They’re making a ton of money, and no one is getting a nickel.

So everything that ever happened, we knew about in Panama.

It was very interesting, and we went to Germany and we toured Germany like we were a German band in 1985.

And, he’d seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.