I was silent as a child, and silenced as a young woman; I am taking my lumps and bumps for being a big mouth, now, but usually from those whose opinion I don’t respect.
About Sandra Cisneros
Sandra Cisnerosis an American writer. She is best known for her first novel, The House on Mango Street (1983), and her subsequent short story collection, Woman Hollering Creek and Other Stories (1991).
More quotes from Sandra Cisneros
I have to understand what my strengths and limitations are, and work from a true place. I try to do this as best I can while still protecting my writer self, which more than ever needs privacy.
American writer and poet
But I deal with this meditating and by understanding I’ve been put on the planet to serve humanity. I have to remind myself to live simply and not to overindulge, which is a constant battle in a material world.
American writer and poet
I think my family and closest friends are learning about my need to withdraw, and I am learning how to restore and store my energy to both serve the community to the best of my ability and to serve my writer’s heart.
American writer and poet
I was silent as a child, and silenced as a young woman; I am taking my lumps and bumps for being a big mouth, now, but usually from those whose opinion I don’t respect.
American writer and poet
Sometimes I feel I can’t quite master my written and spoken Spanish, because I’m too much a student of English. I would need another lifetime to learn it.
American writer and poet
My feminism is humanism, with the weakest being those who I represent, and that includes many beings and life forms, including some men.
American writer and poet
I usually say Latina, Mexican-American or American Mexican, and in certain contexts, Chicana, depending on whether my audience understands the term or not.
American writer and poet
I realize that when I moved out of my father’s house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
American writer and poet
I’m afraid I’m still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private.
American writer and poet
I don’t see any kind of mirror of power, male power, that is, as a form of liberation. I don’t believe in an eye for an eye. I don’t believe this is truly freedom.
American writer and poet
Perhaps the greatest challenge has been trying to keep my time to myself and my private life private in order to do my job. Everything that is most mine belongs to everyone now.
American writer and poet
And the nice thing about writing a novel is you take your time, you sit with the character sometimes nine years, you look very deeply at a situation, unlike in real life when we just kind of snap something out.
American writer and poet
I try to be as honest about what I see and to speak rather than be silent, especially if it means I can save lives, or serve humanity.
American writer and poet
Mexico is only a memory of childhood safety.
American writer and poet
Well, I’m Buddhist, Ray, and so part of my Buddhism has allowed me to look a little more deeply at people and the events in my life that created me. And I think a lot of that Buddhism comes out in the world view in this novel.
American writer and poet
Revenge only engenders violence, not clarity and true peace. I think liberation must come from within.
American writer and poet
I always tell people that I became a writer not because I went to school but because my mother took me to the library. I wanted to become a writer so I could see my name in the card catalog.
American writer and poet
I was raised in Chicago, so always used Latina. It’s what my Father and brothers called ourselves, when we meant the entire Spanish-speaking community of Chicago.
American writer and poet