I dream for a living.

You know, I don’t really do that much looking inside me when I’m working on a project. Whatever I am becomes what that film is. But I change; you change.

Every time I go to a movie, it’s magic, no matter what the movie’s about.

I want to be the Cecil B. DeMille of science fiction.

You have many years ahead of you to create the dreams that we can’t even imagine dreaming. You have done more for the collective unconscious of this planet than you will ever know.

I’m always in favor of Israel responding strongly when it’s threatened. At the same time, a response to a response doesn’t really solve anything. It just creates a perpetual-motion machine.

I’d rather direct than produce. Any day. And twice on Sunday.

If Bush, as I believe, has reliable information on the fact that Saddam Hussein is making weapons of mass destruction, I cannot not support the policies of his government.

There is something about killing people at close range that is excruciating. It’s bound to try a man’s soul.

Naturally, it is a terrible, despicable crime when, as in Munich, people are taken hostage, people are killed. But probing the motives of those responsible and showing that they are also individuals with families and have their own story does not excuse what they did.

I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.

All of us every single year, we’re a different person. I don’t think we’re the same person all our lives.

I am an American Jew and aware of the sensitivities involved in the Israeli-Palestinian conflict.

I dream for a living.

People have forgotten how to tell a story. Stories don’t have a middle or an end any more. They usually have a beginning that never stops beginning.

I don’t think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it’s certainly worth a try.

There is a fine line between censorship and good taste and moral responsibility.

When I grow up, I still want to be a director.

Why pay a dollar for a bookmark? Why not use the dollar for a bookmark?

I’m not really interested in making money.

When war comes, two things happen – profits go way, way up and all perishables go way, way down. There becomes a market for them.

I’ve discovered I’ve got this preoccupation with ordinary people pursued by large forces.

I like the smell of film. I just like knowing there’s film going through the camera.

A lot of the films I’ve made probably could have worked just as well 50 years ago, and that’s just because I have a lot of old-fashion values.

The public has an appetite for anything about imagination – anything that is as far away from reality as is creatively possible.

I never felt comfortable with myself, because I was never part of the majority. I always felt awkward and shy and on the outside of the momentum of my friends’ lives.

I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.