I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action.
Meaning of the quote
Tennessee Williams, a famous American playwright, didn't like simple or plain things. He didn't like a bare light bulb without any decoration or design. He also didn't like rude comments or actions that were too direct or inappropriate. Williams preferred things to be more interesting, thoughtful, and refined, just like his plays.
About Tennessee Williams
Tennessee Williams was an acclaimed American playwright who wrote some of the most iconic plays of the 20th century, including The Glass Menagerie, A Streetcar Named Desire, and Cat on a Hot Tin Roof. Despite facing obscurity early in his career, Williams went on to become one of the most celebrated dramatists of his time, renowned for his poetic language and complex character studies.
More quotes from Tennessee Williams
The only thing worse than a liar is a liar that’s also a hypocrite!
American playwright (1911-1983)
The strongest influences in my life and my work are always whomever I love. Whomever I love and am with most of the time, or whomever I remember most vividly. I think that’s true of everyone, don’t you?
American playwright (1911-1983)
The most dangerous word in any human tongue is the word for brother. It’s inflammatory.
American playwright (1911-1983)
We have to distrust each other. It is our only defense against betrayal.
American playwright (1911-1983)
You can be young without money but you can’t be old without it.
American playwright (1911-1983)
When I stop working the rest of the day is posthumous. I’m only really alive when I’m writing.
American playwright (1911-1983)
Some mystery should be left in the revelation of character in a play, just as a great deal of mystery is always left in the revelation of character in life, even in one’s own character to himself.
American playwright (1911-1983)
Time rushes towards us with its hospital tray of infinitely varied narcotics, even while it is preparing us for its inevitably fatal operation.
American playwright (1911-1983)
I have always been pushed by the negative. The apparent failure of a play sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.
American playwright (1911-1983)
We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.
American playwright (1911-1983)
All good art is an indiscretion.
American playwright (1911-1983)
In memory everything seems to happen to music.
American playwright (1911-1983)
Hell is yourself and the only redemption is when a person puts himself aside to feel deeply for another person.
American playwright (1911-1983)
I have found it easier to identify with the characters who verge upon hysteria, who were frightened of life, who were desperate to reach out to another person. But these seemingly fragile people are the strong people really.
American playwright (1911-1983)
For time is the longest distance between two places.
American playwright (1911-1983)
To be free is to have achieved your life.
American playwright (1911-1983)
Success and failure are equally disastrous.
American playwright (1911-1983)
We’re all of us guinea pigs in the laboratory of God. Humanity is just a work in progress.
American playwright (1911-1983)
If I am no longer disturbed myself, I will deal less with disturbed people, but I don’t regret having concerned myself with them because I think most of us are disturbed.
American playwright (1911-1983)
A vacuum is a hell of a lot better than some of the stuff that nature replaces it with.
American playwright (1911-1983)
A high station in life is earned by the gallantry with which appalling experiences are survived with grace.
American playwright (1911-1983)
There is a time for departure even when there’s no certain place to go.
American playwright (1911-1983)
Luck is believing you’re lucky.
American playwright (1911-1983)
Don’t look forward to the day you stop suffering, because when it comes you’ll know you’re dead.
American playwright (1911-1983)
I have always depended on the kindness of strangers.
American playwright (1911-1983)
Why did I write? Because I found life unsatisfactory.
American playwright (1911-1983)
Once you fully apprehend the vacuity of a life without struggle, you are equipped with the basic means of salvation.
American playwright (1911-1983)
All of us are guinea pigs in the laboratory of God. Humanity is just a work in progress.
American playwright (1911-1983)
The violets in the mountains have broken the rocks.
American playwright (1911-1983)
All cruel people describe themselves as paragons of frankness.
American playwright (1911-1983)
Oh, you weak, beautiful people who give up with such grace. What you need is someone to take hold of you – gently, with love, and hand your life back to you.
American playwright (1911-1983)
Mendacity is a system that we live in. Liquor is one way out an death’s the other.
American playwright (1911-1983)
I can’t stand a naked light bulb, any more than I can a rude remark or a vulgar action.
American playwright (1911-1983)
We are all sentenced to solitary confinement inside our own skins, for life.
American playwright (1911-1983)
Success is blocked by concentrating on it and planning for it… Success is shy – it won’t come out while you’re watching.
American playwright (1911-1983)
When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.
American playwright (1911-1983)
Enthusiasm is the most important thing in life.
American playwright (1911-1983)
Life is an unanswered question, but let’s still believe in the dignity and importance of the question.
American playwright (1911-1983)
Most of the confidence which I appear to feel, especially when influenced by noon wine, is only a pretense.
American playwright (1911-1983)
Time is the longest distance between two places.
American playwright (1911-1983)
Life is partly what we make it, and partly what it is made by the friends we choose.
American playwright (1911-1983)
All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent.
American playwright (1911-1983)
The future is called ‘perhaps,’ which is the only possible thing to call the future. And the important thing is not to allow that to scare you.
American playwright (1911-1983)
Luxury is the wolf at the door and its fangs are the vanities and conceits germinated by success. When an artist learns this, he knows where the danger is.
American playwright (1911-1983)
Life is all memory, except for the one present moment that goes by you so quickly you hardly catch it going.
American playwright (1911-1983)
If the writing is honest it cannot be separated from the man who wrote it.
American playwright (1911-1983)
Death is one moment, and life is so many of them.
American playwright (1911-1983)
What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.
American playwright (1911-1983)