On the stage you’re there, it’s live. There’s a beginning, a middle, an end. When something is funny you hear it right away.

I prefer to make common cause with those whose weapons are guitars, banjos, fiddles and words.

I prefer to choose which traditions to keep and which to let go.

You don’t really need modernity in order to exist totally and fully. You need a mixture of modernity and tradition.

Despite a large body of work in films, TV, theatre and concerts, I am viewed by many as a Jewish artist. I do not resent the label, except for the fact that I disapprove of labels in general.

I remain convinced that I can be a true universalist only when I am a better Jew.

You always draw on your experiences with live audiences to know how to do comedy on films. You’re working for a laugh that may or may not come six months later, but you’re working in a vacuum at the time you are doing it.

I am not a specialist but a general practitioner in the world of the arts.

But, when I toil in the field of Jewish culture which I frequently do, I am indeed a Jewish artist.

I’m exceedingly proud of being an actor, but I never recommend it to anyone.

While we all could agree that the Zionist ideal is alive and well, there is serious doubt whether the Zionist movement can be said to be an ongoing proposition, fragmented as its components are in ideology and in practice.

I have always striven to raise the voice of hope for a world where hate gives way to respect and oppression to liberation.

One might have thought the world would stop ascribing moral equivalence between acts of terrorism and acts of punishing terrorism. It has not happened that way.

Although I am deeply grateful to a great many people, I forgo the temptation of naming them for fear that I might slight any by omission.

You learn more from the flops than you do from the hits.

When something is moving you get that intake of breath and that stillness from the audience.

After the advent of the written word, the masses who could not – or were not permitted to – read, were given sermons by the few who could.

For I firmly believe that Jewish life, indeed any communal life, can only be organized according to democratic principles.

On the stage you’re there, it’s live. There’s a beginning, a middle, an end. When something is funny you hear it right away.

As an artist I have an even more abiding interest in the compact between the Arts and Government.

No doubt unity is something to be desired, to be striven for, but it cannot be willed into being by mere declarations.

I make no claim that Jewish culture is superior to other cultures or that the Jewish song is better than the song of my neighbor.

I am determined to give the Yiddish language a fighting chance to survive.

The play is always fresh to me. It’s not the audience’s fault that I’ve said the words before.

Having come to live in this age is as though one were to have entered another country. Learn its language or risk being left out.

I know for certain of only one commandment, one obligation, that God imposes upon us, and that is to be compassionate toward other human beings.

In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them – unless there is a painting, a play, a song or a poem that speaks of the event.

I do not know who there is among us that can claim to know God’s purpose and God’s intent.

Every actor wants to direct.

I do prefer the stage. It’s really the granddaddy of them all.

We live in a world of guns, bombs and terror. To conquer hate seems a nigh-impossible task.

Audiences are audiences.

Must we be put to shame by much smaller and poorer countries, by Ireland, France, Austria or Sweden, who have understood that a nation’s support of its arts is a matter of both national pride and cultural survival?

I am filled with awe that filmmakers have the capacity to stir us and give us back a sense of wonder.

I am a universalist, passionately devoted to the cause of equality within the human family.

What moves me is neither ethnocentric pride nor sectarian arrogance. I make no claim that Jewish culture is superior to other cultures. But it is mine.

No heirloom of humankind captures the past as do art and language.

But there is a difference here: When Jewish children are murdered, Arabs celebrate the deed. The death of an Arab child is no cause for celebration in Israel.

Epistemology is the study of knowledge. By what conduit do we know what we know?

You can’t expect the entire world to come to New York to see you. You have to travel to them.

We Jews have a special attachment to the Book. The study of page after page in tomes yellowing with age was obligatory.

By showing hunger, deprivation, starvation and brutality, as well as endurance and nobility, documentaries inform, prod our memories, even stir us to action. Such films do battle for our very soul.

I always sang, I always acted, I always played.

Throughout my life I have cared as deeply about the songs of all peoples as I have about the rights of all peoples.

I tried for a while to be an agricultural worker and was hopelessly bored. To me it was meaningless. I would stand around in heaps of manure and sings about the beauty of the work I wasn’t doing.

All too often arrogance accompanies strength, and we must never assume that justice is on the side of the strong. The use of power must always be accompanied by moral choice.

I created the role of Captain Von Trapp.

No movement can afford to be caught in a time warp and exist in a state of suspended animation.

If I have one vanity wish, it would be to direct. It’s the only thing I haven’t done yet that I would like to.

Right up to the middle of this century all perceptions of the world around us were delivered via the bookshelf or the paper route.